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001437177 001__ 1437177
001437177 003__ OCoLC
001437177 005__ 20230309004135.0
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001437177 019__ $$a1253354488$$a1255866716
001437177 020__ $$a9783030709945$$q(electronic bk.)
001437177 020__ $$a3030709949$$q(electronic bk.)
001437177 020__ $$z9783030709938$$q(hardcover)
001437177 020__ $$z3030709930$$q(hardcover)
001437177 0247_ $$a10.1007/978-3-030-70994-5$$2doi
001437177 035__ $$aSP(OCoLC)1255233662
001437177 040__ $$aEBLCP$$beng$$erda$$epn$$cEBLCP$$dYDX$$dOCLCO$$dGW5XE$$dUKMGB$$dOCLCF$$dN$T$$dUKAHL$$dOCLCQ$$dUIU$$dOCLCQ$$dOCLCO$$dOCLCQ
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001437177 050_4 $$aPN1998.2$$b.H37 2021
001437177 08204 $$a791.43023309252$$223
001437177 1001_ $$aHarrod, Mary,$$eauthor.
001437177 24510 $$aHeightened genre and women's filmmaking in Hollywood :$$bthe rise of the cine-fille /$$cMary Harrod.
001437177 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021]
001437177 300__ $$a1 online resource (314 pages)
001437177 336__ $$atext$$btxt$$2rdacontent
001437177 337__ $$acomputer$$bc$$2rdamedia
001437177 338__ $$aonline resource$$bcr$$2rdacarrier
001437177 504__ $$aIncludes bibliographical references and index.
001437177 5050_ $$a1. Introduction: Little Women and Cine-filles -- 2. Genre as Pastiche in Women's Filmmaking -- 3. Pastiching the Popular -- 4. Art Imitating Life Imitating Art -- 5. Conclusion: Communal Autofiction and Public Subjectivity in The Bling Ring.
001437177 506__ $$aAccess limited to authorized users.
001437177 520__ $$aDespite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address intellectual cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims womens mainstream filmmaking for feminism through a recalibration of genre theory itself.
001437177 588__ $$aOnline resource; title from digital title page (viewed on June 09, 2021).
001437177 650_0 $$aWomen motion picture producers and directors$$zUnited States.
001437177 650_0 $$aWomen in the motion picture industry$$zCalifornia$$zLos Angeles.
001437177 650_6 $$aProductrices et réalisatrices de cinéma$$zÉtats-Unis.
001437177 650_6 $$aFemmes dans l'industrie cinématographique$$zCalifornie$$zLos Angeles.
001437177 655_0 $$aElectronic books.
001437177 77608 $$iPrint version:$$aHarrod, Mary.$$tHeightened genre and women's filmmaking in Hollywood.$$dCham, Switzerland : Palgrave Macmillan, [2021]$$z9783030709938$$w(OCoLC)1242736909
001437177 852__ $$bebk
001437177 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-70994-5$$zOnline Access$$91397441.1
001437177 909CO $$ooai:library.usi.edu:1437177$$pGLOBAL_SET
001437177 980__ $$aBIB
001437177 980__ $$aEBOOK
001437177 982__ $$aEbook
001437177 983__ $$aOnline
001437177 994__ $$a92$$bISE