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Table of Contents
Chapter 1: Introduction: Intersections of Genre, Gender, Performance, and Rhetoric
Chapter 2: Theorizing Rhetorics of Identity to Create Rhetorical Performativity as an Analytic
Chapter 3: Zora Neale Hurstons Craft and a Griots Refusal to Conform
Chapter 4: Audre Lordes Intellectual Body: Scripting an Embodied Activism
Chapter 5: Self-Representation, Genre, and Performativity: Dorothy Allisons Performances Across Genres
Chapter 6: Joyce Johnsons Alternative Beat Narrative: Women Outside the Fram
Chapter 7: Shirley Geok-lin Lims Embodied Memories: Academic Autobiography, Genre, and Mentorship
Chapter 8: Performative Auto/biography as Transgressive Archives.
Chapter 2: Theorizing Rhetorics of Identity to Create Rhetorical Performativity as an Analytic
Chapter 3: Zora Neale Hurstons Craft and a Griots Refusal to Conform
Chapter 4: Audre Lordes Intellectual Body: Scripting an Embodied Activism
Chapter 5: Self-Representation, Genre, and Performativity: Dorothy Allisons Performances Across Genres
Chapter 6: Joyce Johnsons Alternative Beat Narrative: Women Outside the Fram
Chapter 7: Shirley Geok-lin Lims Embodied Memories: Academic Autobiography, Genre, and Mentorship
Chapter 8: Performative Auto/biography as Transgressive Archives.