TY  - GEN
N2  - 'One in four people in Germany today have a so-called migration background, however, the relationship between theatre and migration there has only recently begun to take centre stage. Indeed, fifty years after large-scale Turkish labour migration to the Federal Republic of Germany began, theatre by Turkish-German artists is only now becoming a consistent feature of Germanys influential state-funded theatrical landscape. Drawing on extensive archival and field work, this book asks where, when, why, and how plays engaging with the new realities of postmigrant Germany have been performed over the past 30 years. Focusing on plays by renowned artists Emine Sevgi Ozdamar, and Feridun Zaimoglu/Gunter Senkel, it asks which new realities have been scripted in the theatrical sphere in the process in the imaginations of playwrights, readers, audience members; in the enactment and direction of scripts on stage; and in the performance of new institutional approaches and cultural policies. Highlighting the role this theatre has played in a larger, ongoing re-scripting of the German stage, this study presents a critical perspective on contemporary European theatre and opens innovative developments in the conceptualization of theatre and post/migration from the German context to English language readers.
DO  - 10.1007/978-3-030-69848-5
DO  - doi
AB  - 'One in four people in Germany today have a so-called migration background, however, the relationship between theatre and migration there has only recently begun to take centre stage. Indeed, fifty years after large-scale Turkish labour migration to the Federal Republic of Germany began, theatre by Turkish-German artists is only now becoming a consistent feature of Germanys influential state-funded theatrical landscape. Drawing on extensive archival and field work, this book asks where, when, why, and how plays engaging with the new realities of postmigrant Germany have been performed over the past 30 years. Focusing on plays by renowned artists Emine Sevgi Ozdamar, and Feridun Zaimoglu/Gunter Senkel, it asks which new realities have been scripted in the theatrical sphere in the process in the imaginations of playwrights, readers, audience members; in the enactment and direction of scripts on stage; and in the performance of new institutional approaches and cultural policies. Highlighting the role this theatre has played in a larger, ongoing re-scripting of the German stage, this study presents a critical perspective on contemporary European theatre and opens innovative developments in the conceptualization of theatre and post/migration from the German context to English language readers.
T1  - Performing new German realities :Turkish-German scripts of postmigration /
DA  - 2021.
CY  - Cham, Switzerland :
AU  - Stewart, Lizzie.
CN  - PN2654
PB  - Palgrave Macmillan,
PP  - Cham, Switzerland :
PY  - 2021.
ID  - 1438044
KW  - Theater and society
KW  - Immigrants in the performing arts.
KW  - Emigration and immigration in art.
KW  - Foreign workers
KW  - Turks
KW  - Théâtre et société
KW  - Émigration et immigration dans l'art.
KW  - Turcs
SN  - 9783030698485
SN  - 3030698483
TI  - Performing new German realities :Turkish-German scripts of postmigration /
LK  - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-69848-5
UR  - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-69848-5
ER  -