001438049 000__ 04786cam\a2200709\i\4500 001438049 001__ 1438049 001438049 003__ OCoLC 001438049 005__ 20230309004245.0 001438049 006__ m\\\\\o\\d\\\\\\\\ 001438049 007__ cr\cn\nnnunnun 001438049 008__ 210713s2021\\\\sz\\\\\\ob\\\\001\0\eng\d 001438049 019__ $$a1260346252$$a1266287461 001438049 020__ $$a3030737306$$q(electronic book) 001438049 020__ $$a9783030737306$$q(electronic bk.) 001438049 020__ $$z3030737292 001438049 020__ $$z9783030737290 001438049 0247_ $$a10.1007/978-3-030-73730-6$$2doi 001438049 035__ $$aSP(OCoLC)1260133024 001438049 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dYDXIT$$dGW5XE$$dOCLCO$$dEBLCP$$dOCLCF$$dUKMGB$$dN$T$$dVT2$$dUKAHL$$dOCLCQ$$dOCLCO$$dOCL$$dOCLCQ 001438049 049__ $$aISEA 001438049 050_4 $$aPL2274$$b.G82 2021 001438049 08204 $$a809$$223 001438049 08204 $$a801.93$$223 001438049 1001_ $$aGu, Mingdong,$$d1955-$$eauthor. 001438049 24510 $$aFusion of critical horizons in Chinese and Western language, poetics, aesthetics /$$cMing Dong Gu. 001438049 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021] 001438049 300__ $$a1 online resource 001438049 336__ $$atext$$btxt$$2rdacontent 001438049 337__ $$acomputer$$bc$$2rdamedia 001438049 338__ $$aonline resource$$bcr$$2rdacarrier 001438049 4901_ $$aChinese literature and culture in the world 001438049 504__ $$aIncludes bibliographical references and index. 001438049 5050_ $$aCh. 1: Aesthetic Divide and Vision of Global Aesthetics -- Part I: Language and Writing -- Ch. 2: Writing System and Linguistic Controversy -- Ch. 3: Re-conceptualizing the Linguistic Divide -- Part II: Metaphor and Poetics -- Ch. 4: Chinese and Western Conceptions of Metaphor -- Ch. 5: Metaphor as Signs: Bi-Xing and Metaphor/Metonymy -- Part III: Mimesis and Representation -- Ch. 6: Is Mimetic Theory Universal? -- Ch. 7: Western Mimesis and Chinese Mimetic Theory -- Part IV: Metaphysics and Aesthetics -- Ch. 8: Divine Thinking and Artistic Creation -- Ch. 9: Lyricism and Mimeticism in Aesthetic Thought -- Ch. 10: Toward World Criticism and Global Aesthetics. 001438049 506__ $$aAccess limited to authorized users. 001438049 520__ $$aThis book begins with a reflection on dichotomies in comparative studies of Chinese and Western literature and aesthetics. Critiquing an oppositional paradigm, Ming Dong Gu argues that despite linguistic and cultural differences, the two traditions share much common ground in critical theory, aesthetic thought, metaphysical conception, and reasoning. Focusing on issues of language, writing, and linguistics; metaphor, metonymy, and poetics; mimesis and representation; and lyricism, expressionism, creativity, and aesthetics, Gu demonstrates that though ways of conception and modes of expression may differ, the two traditions have cultivated similar aesthetic feelings and critical ideas capable of fusing critical and aesthetic horizons. With a two-way dialogue, this book covers a broad spectrum of critical discourses and uncovers fascinating connections among a wide range of thinkers, theorists, scholars, and aestheticians, thereby making a significant contribution to bridging the aesthetic divide and envisioning world theory and global aesthetics. Ming Dong Gu is Distinguished Professor of Foreign Studies at Shenzhen University, China, and Professor of Comparative Literature at the University of Texas at Dallas, USA. His recent books include Why Traditional Chinese Philosophy Still Matters (2018) and Sinologism: An Alternative to Orientalism and Postcolonialism (2013). 001438049 588__ $$aOnline resource; title from digital title page (viewed on July 28, 2021). 001438049 650_0 $$aComparative literature$$xChinese and Western. 001438049 650_0 $$aAesthetics in literature. 001438049 650_0 $$aPoetics. 001438049 650_0 $$aLiterature$$xHistory and criticism. 001438049 650_0 $$aChinese literature$$xHistory and criticism. 001438049 650_0 $$aLiterature$$xHistory and criticism$$vCross-cultural studies. 001438049 650_0 $$aCritical theory. 001438049 650_0 $$aLiterature$$xPhilosophy. 001438049 650_6 $$aLittérature comparée$$xChinoise et occidentale. 001438049 650_6 $$aEsthétique dans la littérature. 001438049 650_6 $$aPoétique. 001438049 650_6 $$aLittérature$$xHistoire et critique. 001438049 650_6 $$aLittérature chinoise$$xHistoire et critique. 001438049 650_6 $$aLittérature$$xHistoire et critique$$vÉtudes transculturelles. 001438049 650_6 $$aThéorie critique. 001438049 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001438049 655_7 $$aCross-cultural studies.$$2fast$$0(OCoLC)fst01423769 001438049 655_0 $$aElectronic books. 001438049 77608 $$iPrint version:$$z3030737292$$z9783030737290$$w(OCoLC)1241731168 001438049 830_0 $$aChinese literature and culture in the world. 001438049 852__ $$bebk 001438049 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-73730-6$$zOnline Access$$91397441.1 001438049 909CO $$ooai:library.usi.edu:1438049$$pGLOBAL_SET 001438049 980__ $$aBIB 001438049 980__ $$aEBOOK 001438049 982__ $$aEbook 001438049 983__ $$aOnline 001438049 994__ $$a92$$bISE