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001438138 001__ 1438138
001438138 003__ OCoLC
001438138 005__ 20230309004250.0
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001438138 019__ $$a1258671503$$a1259591894
001438138 020__ $$a9783030757588$$q(electronic bk.)
001438138 020__ $$a3030757587$$q(electronic bk.)
001438138 020__ $$z9783030757571
001438138 020__ $$z3030757579
001438138 0247_ $$a10.1007/978-3-030-75758-8$$2doi
001438138 035__ $$aSP(OCoLC)1260299376
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001438138 049__ $$aISEA
001438138 050_4 $$aPS3552.A583
001438138 08204 $$a818.5409$$223
001438138 1001_ $$aNielsen, Aldon Lynn,$$eauthor.
001438138 24514 $$aThe inside songs of Amiri Baraka /$$cAldon Lynn Nielsen.
001438138 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2021.
001438138 300__ $$a1 online resource (1 volume) :$$bcolor illustrations
001438138 336__ $$atext$$btxt$$2rdacontent
001438138 337__ $$acomputer$$bc$$2rdamedia
001438138 338__ $$aonline resource$$bcr$$2rdacarrier
001438138 4901_ $$aPalgrave studies in music and literature
001438138 5050_ $$aChapter One: Vamp Till Ready -- Chapter Two: Western Front -- Chapter Three: 1960 Something -- Chapter Four: Real Song -- Chapter Five: The Inside Songs of Amiri Baraka.
001438138 506__ $$aAccess limited to authorized users.
001438138 520__ $$aThe Inside Songs of Amiri Baraka examines the full length of Barakas discography as a poet recording with musicians as well as his contributions to jazz and R & B, beginning with his earliest studio recordings in 1965 and continuing to the last year of his life, 2014. This recorded history traces his evolution from the era of Beat poetry and projective verse, through the period of the Black Arts Movement and cultural nationalism, and on to his commitments to third world Marxism, which characterized the last decades of his life. The music enfolding Barakas recitations ranges from traditional African drumming, to doo wop, rhythm and blues, soul and the avant garde jazz that was his great love and the subject of so much of his writing, and includes both in-studio sessions and live concert performances. This body of work offers a rare opportunity to think about not only jazz/poetry, but the poet in the recording studio and the relations of text to score.
001438138 588__ $$aDescription based on print version record.
001438138 60010 $$aBaraka, Amiri,$$d1934-2014$$xCriticism and interpretation.
001438138 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001438138 655_0 $$aElectronic books.
001438138 77608 $$iPrint version:$$aNielsen, Aldon Lynn.$$tInside songs of Amiri Baraka.$$dBasingstoke : Palgrave Macmillan, 2021$$z9783030757571$$w(OCoLC)1255874358
001438138 830_0 $$aPalgrave studies in music and literature.
001438138 852__ $$bebk
001438138 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-75758-8$$zOnline Access$$91397441.1
001438138 909CO $$ooai:library.usi.edu:1438138$$pGLOBAL_SET
001438138 980__ $$aBIB
001438138 980__ $$aEBOOK
001438138 982__ $$aEbook
001438138 983__ $$aOnline
001438138 994__ $$a92$$bISE