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1. Introduction (Kei Hibino, Barnaby Ralph and Henry Johnson)
PART I. Reception
2. Western Art Music in Pre-Edo and Meiji Japan: Historical Reception, Cultural Change and Education (Ayako Otomo)
3. Western Musical Elements in Japanese Koto Music from the 19th to 21st Centuries: Sonic, Visual and Behavioral Spheres in a Context of Cultural Change (Henry Johnson)
4. Guitar Making and Intercultural Communication in Japan and Australia (Gavin Carfoot)
PART II. Transformation
5. Black Intentions: Maki Ishii, Ryohei Hirose, Makoto Shinohara and the Japanese Avant-Garde (Barnaby Ralph)
6. Scarlett, an American Musical Made in Japan; or, How Japanese Learned to Stop Worrying and Love Integrated Musicals (Kei Hibino)
7. Like Some Cat from Japan: Masayoshi Sukitas Photographs of David Bowie as Japans First Appearance in the History of Rock Music (Yuki Gennaka)
PART III. Cultural Flow
8. The Flow of Jazz in Japan: Why Jazz Resonates So Far from Home (Michael Pronko)
9. Juna's Groove and Emi's Beat: Women and Rock in Modern Japan (Barnaby Ralph in conversation with Emi Yonekubo and Juna Serita)
10. Manufacturing Identity: Femininity, Discourse and Representation in Japanese Popular Music (Aya Sato and Ayako Otomo).

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