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001438658 001__ 1438658
001438658 003__ OCoLC
001438658 005__ 20230309004347.0
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001438658 019__ $$a1262726594
001438658 020__ $$a9783030752095$$q(electronic bk.)
001438658 020__ $$a3030752097$$q(electronic bk.)
001438658 020__ $$z9783030752088
001438658 020__ $$z3030752089
001438658 0247_ $$a10.1007/978-3-030-75209-5$$2doi
001438658 035__ $$aSP(OCoLC)1262662940
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001438658 049__ $$aISEA
001438658 050_4 $$aML1731.5$$b.L56 2021
001438658 08204 $$a792.60942109041$$223
001438658 1001_ $$aLinton, David,$$d1967-$$eauthor.
001438658 24510 $$aNation and race in West End revue :$$b1910-1930 /$$cDavid Linton.
001438658 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2021]
001438658 264_4 $$c©2021
001438658 300__ $$a1 online resource :$$billustrations
001438658 336__ $$atext$$btxt$$2rdacontent
001438658 337__ $$acomputer$$bc$$2rdamedia
001438658 338__ $$aonline resource$$bcr$$2rdacarrier
001438658 4901_ $$aPalgrave studies in British musical theatre
001438658 504__ $$aIncludes bibliographical references and index.
001438658 5050_ $$aChapter 1: Reading London West End Revue -- Chapter 2: Revue in the Modern World: Possibilities and Perils -West End Identities -- Chapter 3: New Insecurities, New Form, New Identity- National Identity and Raciologies in Eightpence a Mile (1913) -- Chapter 4: Degeneration/Regeneration The Remaking of Nation in Wartime West End Spectacular Revue -- Chapter 5: Blackbirds in London: Black Internationalism and the Black Imaginary -- Chapter 6: Class Distinction and National Identity in 1920s West End Intimate Revue.
001438658 506__ $$aAccess limited to authorized users.
001438658 520__ $$aLondon West End revue constituted a particular response to mounting social, political, and cultural insecurities over Britains status and position at the beginning of the twentieth century. Insecurities regarding Britains colonial rule as exemplified in Ireland and elsewhere, were compounded by growing demands for social reform across the country the call for womens emancipation, the growth of the labour, and the trade union movements all created a climate of mounting disillusion. Revue correlated the immediacy of this uncertain world, through a fragmented vocabulary of performance placing satire, parody, social commentary, and critique at its core and found popularity in reflecting and responding to the variations of the new lived experiences. Multidisciplinary in its creation and realisation, revue incorporated dance, music, design, theatre, and film appropriating pre-modern theatre forms, techniques, and styles such as burlesque, music hall, pantomime, minstrelsy, and pierrot. Experimenting with narrative and expressions of speech, movement, design, and sound, revue displayed ambivalent representations that reflected social and cultural negotiations of previously essentialised identities in the modern world. Part of a wide and diverse cultural space at the beginning of the twentieth century it was acknowledged both by the intellectual avant-garde and the workers theatre movement not only as a reflexive action, but also as an evolving dynamic multidisciplinary performance model, which was highly influential across British culture. Revue displaced the romanticism of musical comedy by combining a satirical listless detachment with a defiant sophistication that articulated a fading British hegemonic sensibility, a cultural expression of a fragile and changing social and political order. David Linton is a performer/theatre practitioner and senior lecturer in Drama at Kingston University, London, UK. His research explores issues of resistance, adaptation, and exchange in theatre. This focuses on participatory arts practice, black British performance and pre-modern popular theatre forms, and their contemporary applications, specifically mask/minstrelsy, pantomime, burlesque/neo burlesque, cabaret, pierrot, hip hop theatre, and revue.
001438658 588__ $$aDescription based on print version record.
001438658 650_0 $$aMusical theater$$zEngland$$zLondon$$xHistory$$y20th century.
001438658 650_6 $$aThéâtre musical$$zAngleterre$$zLondres$$xHistoire$$y20e siècle.
001438658 651_0 $$aLondon (England)$$xSocial life and customs$$y20th century.
001438658 651_0 $$aGreat Britain$$xSocial conditions$$y20th century.
001438658 651_6 $$aLondres (Angleterre)$$xMœurs et coutumes$$y20e siècle.
001438658 651_6 $$aGrande-Bretagne$$xConditions sociales$$y20e siècle.
001438658 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001438658 655_0 $$aElectronic books.
001438658 77608 $$iPrint version:$$aLINTON, DAVID.$$tNATION AND RACE IN WEST END REVUE.$$d[Place of publication not identified] : PALGRAVE MACMILLAN, 2021$$z3030752089$$w(OCoLC)1245656456
001438658 830_0 $$aPalgrave studies in British musical theatre.
001438658 852__ $$bebk
001438658 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-75209-5$$zOnline Access$$91397441.1
001438658 909CO $$ooai:library.usi.edu:1438658$$pGLOBAL_SET
001438658 980__ $$aBIB
001438658 980__ $$aEBOOK
001438658 982__ $$aEbook
001438658 983__ $$aOnline
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