@article{1438984,
      recid = {1438984},
      author = {Ehrenberg, Shantel,},
      title = {Kinaesthesia and visual self-reflection in contemporary  dance /},
      pages = {1 online resource},
      note = {Includes index.},
      abstract = {Kinaesthesia and Visual Self-reflection in Contemporary  Dance features interviews with UK-based professional-level  contemporary, ballet, hip hop, and breaking dancers and  cross-disciplinary explication of kinaesthesia and visual  self-reflection discourses. Expanding on the concept of a  kinaesthetic mode of attention leads to discussion of some  of the key values and practices which nurture and develop  this mode in contemporary dance. Zooming in on  entanglements with video self-images in dance practice  provides further insights regarding kinaesthesias  historicised polarisation with the visual. It thus provides  opportunities to dwell on and reconsider reflections,  opening up to a set of playful yet disruptive diffractions  inherent in the process of becoming a contemporary dancer,  particularly amongst an increasingly complex landscape of  visual and theoretical technologies. Shantel Ehrenberg is a  practitioner/researcher/academic. Her research and practice  focus on the complexity of the corporeal. She is Lecturer  in Dance & Theatre at the University of Surrey, UK. Her  research is also found in publications such as  Choreographic Practices, Dance Research Journal, and  Research in Dance Education.},
      url = {http://library.usi.edu/record/1438984},
      doi = {https://doi.org/10.1007/978-3-030-73403-9},
}