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001438984 001__ 1438984
001438984 003__ OCoLC
001438984 005__ 20230309004404.0
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001438984 020__ $$a9783030734039$$q(electronic bk.)
001438984 020__ $$a303073403X$$q(electronic bk.)
001438984 020__ $$z9783030734022
001438984 020__ $$z3030734021
001438984 0247_ $$a10.1007/978-3-030-73403-9$$2doi
001438984 035__ $$aSP(OCoLC)1264388744
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001438984 049__ $$aISEA
001438984 050_4 $$aGV1783$$b.E47 2021
001438984 08204 $$a792.8$$223
001438984 1001_ $$aEhrenberg, Shantel,$$eauthor.
001438984 24510 $$aKinaesthesia and visual self-reflection in contemporary dance /$$cShantel Ehrenberg.
001438984 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2021]
001438984 264_4 $$c©2021
001438984 300__ $$a1 online resource
001438984 336__ $$atext$$btxt$$2rdacontent
001438984 337__ $$acomputer$$bc$$2rdamedia
001438984 338__ $$aonline resource$$bcr$$2rdacarrier
001438984 4901_ $$aCognitive studies in literature and performance
001438984 500__ $$aIncludes index.
001438984 5050_ $$a1. Chapter 1: Introducing, situating, positioning(s)- Chapter 2: Illuminating dancers kinaesthetic experience -- Chapter 3: A Kinaesthetic Mode of Attention -- Chapter 4: Practices and values which develop and nurture a kinaesthetic mode of attention -- Chapter 5: Kinaesthesia and video self-image(s): foregrounding the imagination -- Chapter 6 Concluding Diffractions Diffracting Conclusions.
001438984 506__ $$aAccess limited to authorized users.
001438984 520__ $$aKinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a kinaesthetic mode of attention leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesias historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies. Shantel Ehrenberg is a practitioner/researcher/academic. Her research and practice focus on the complexity of the corporeal. She is Lecturer in Dance & Theatre at the University of Surrey, UK. Her research is also found in publications such as Choreographic Practices, Dance Research Journal, and Research in Dance Education.
001438984 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed August 25, 2021).
001438984 650_0 $$aModern dance.
001438984 650_0 $$aMuscular sense.
001438984 650_6 $$aKinesthésie.
001438984 655_0 $$aElectronic books.
001438984 77608 $$iPrint version:$$aEHRENBERG, SHANTEL.$$tKINAESTHESIA AND VISUAL SELF-REFLECTION IN CONTEMPORARY DANCE.$$d[S.l.] : PALGRAVE MACMILLAN, 2021$$z3030734021$$w(OCoLC)1241244918
001438984 830_0 $$aCognitive studies in literature and performance.
001438984 852__ $$bebk
001438984 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-73403-9$$zOnline Access$$91397441.1
001438984 909CO $$ooai:library.usi.edu:1438984$$pGLOBAL_SET
001438984 980__ $$aBIB
001438984 980__ $$aEBOOK
001438984 982__ $$aEbook
001438984 983__ $$aOnline
001438984 994__ $$a92$$bISE