001439146 000__ 05564cam\a2200577\i\4500 001439146 001__ 1439146 001439146 003__ OCoLC 001439146 005__ 20230309004413.0 001439146 006__ m\\\\\o\\d\\\\\\\\ 001439146 007__ cr\un\nnnunnun 001439146 008__ 210827s2021\\\\sz\\\\\\ob\\\\001\0\eng\d 001439146 020__ $$a3030616347$$q(electronic book) 001439146 020__ $$a9783030616342$$q(electronic bk.) 001439146 020__ $$z3030616339 001439146 020__ $$z9783030616335 001439146 0247_ $$a10.1007/978-3-030-61634-2$$2doi 001439146 035__ $$aSP(OCoLC)1265344867 001439146 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dYDX$$dN$T$$dOCLCO$$dGW5XE$$dOCLCF$$dUKMGB$$dUKAHL$$dOCLCQ$$dOCLCO$$dOCLCQ 001439146 043__ $$ae------ 001439146 049__ $$aISEA 001439146 050_4 $$aPN1993.5.E85$$bF56 2021 001439146 08204 $$a791.4309409044$$223 001439146 24500 $$aFilm professionals in Nazi-occupied Europe :$$bmediation between the national-socialist cultural "New Order" and local structures /$$cedited by Pavel Skopal, Roel Vande Winkel. 001439146 264_1 $$aCham :$$bPalgrave Macmillan,$$c2021. 001439146 300__ $$a1 online resource 001439146 336__ $$atext$$btxt$$2rdacontent 001439146 337__ $$acomputer$$bc$$2rdamedia 001439146 338__ $$aonline resource$$bcr$$2rdacarrier 001439146 504__ $$aIncludes bibliographical references and index. 001439146 5050_ $$a1. Making Decisions: Occupied Film Industries from the Perspective of Middle-Men, Pavel Skopal and Roel Vande Winkel -- 2. Hero and Villain: Leif Sinding as a Mediator of Cinema Politics in Occupied Norway, Thomas V.H. Hagen -- 3. Goebbels Propagandists at Work: From Training the Film Elite at Home to Film Policy in Occupied Norway, Thomas V.H. Hagen and Tobias Hochscherf -- 4. Jan Vanderheyden and Edith Kiel: Leading the Belgian Film Sector While Taking Orders from the German Propaganda Service, Roel Vande Winkel -- 5. How to Mediate the Bohemian-Moravian Film Culture? Role of Sudeten German Historical Agents in the Protection of Local Culture During Occupation, Tereza Czesany Dvorakova and Volker Mohn -- 6. Offers Difficult to Refuse: Milos Havel and Clientele Transactional Networks in the Protectorate of Bohemia and Moravia, Pavel Skopal -- 7. In the Sound of Time: The Fate of Ukrainian Inventor Ivan Nikitin, Tatiana Manykina -- 8. Jan Teunissen, the Self-Proclaimed Film Czar of the German-Occupied Netherlands (19401945), Egbert Barten -- 9. Jan Fethke: The Artists Lot in the Shadow of the Swastika, Krzysztof Trojanowski -- 10. Managing Cinemas in German-Annexed Territories: The Case of Heinrich Meisenzahl in Moselle, Anthony Rescigno. 001439146 506__ $$aAccess limited to authorized users. 001439146 520__ $$aThis book analyses the film industries and cinema cultures of Nazi-occupied countries (1939-1945) from the point of view of individuals: local captains of industry, cinema managers, those working for film studios and officials authorized to navigate film policy. The book considers these people from a historical perspective, taking into account their career before the occupation and, where relevant, pays attention to their post-war lives. The perspectives of these historical agents contributes to an understanding of how top-down orders and haphazard signals from the occupying administration were moulded, adjusted and distorted in the process of their translation and implementation. This edited collection offers a more dynamic and less deterministic approach to research on the international expansion of Third-Reich cinema in World War Two; an approach that strives to balance the role of individual agency with the structural determinants. The case studies presented in this book cover the territories of Belgium, Czechoslovakia, France, the Netherlands, Norway, Poland and the Soviet Union. Pavel Skopal is Associate Professor and department head at the Department of Film Studies and Audio-visual Culture, Masaryk University, Brno, Czech Republic. His recent books include The Cinema of the North Triangle (2014) and Cinema in Service of the State (2015, co-edited with Lars Karl). Skopal has published in international journals including Film History, Historical Journal of Film, Radio and Television, and Convergence. Roel Vande Winkel is Associate Professor in Film & TV Studies at KU Leuven and at LUCA School of Arts, Belgium. He is associate editor of Historical Journal of Film, Radio and Television, and his recent books include Researching Newsreels. Local, National and Transnational Case Studies (2018, with Ciara Chambers and Mats Jonsson), Silencing Cinema: Film Censorship around the World (2013, with Daniel Biltereyst) and Cinema and the Swastika: The International Expansion of Third Reich Cinema (2011 revised, with David Welch). 001439146 588__ $$aOnline resource; title from PDF title page (viewed September 6, 2021). 001439146 647_7 $$aWorld War$$d(1939-1945)$$2fast$$0(OCoLC)fst01180924 001439146 650_0 $$aMotion picture industry$$xEmployees. 001439146 650_0 $$aMotion picture industry$$zEurope$$xHistory$$y20th century. 001439146 650_0 $$aWorld War, 1939-1945$$xMotion pictures and the war. 001439146 650_6 $$aCinéma$$xIndustrie$$xPersonnel. 001439146 650_6 $$aCinéma$$xIndustrie$$zEurope$$xHistoire$$y20e siècle. 001439146 650_6 $$aGuerre mondiale, 1939-1945$$xCinéma et guerre. 001439146 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628 001439146 655_0 $$aElectronic books. 001439146 7001_ $$aSkopal, Pavel,$$eeditor. 001439146 7001_ $$aVande Winkel, Roel,$$eeditor. 001439146 77608 $$iPrint version:$$z3030616339$$z9783030616335$$w(OCoLC)1195459230 001439146 852__ $$bebk 001439146 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-61634-2$$zOnline Access$$91397441.1 001439146 909CO $$ooai:library.usi.edu:1439146$$pGLOBAL_SET 001439146 980__ $$aBIB 001439146 980__ $$aEBOOK 001439146 982__ $$aEbook 001439146 983__ $$aOnline 001439146 994__ $$a92$$bISE