001439164 000__ 03533cam\a2200553\a\4500 001439164 001__ 1439164 001439164 003__ OCoLC 001439164 005__ 20230309004414.0 001439164 006__ m\\\\\o\\d\\\\\\\\ 001439164 007__ cr\un\nnnunnun 001439164 008__ 210827s2021\\\\si\\\\\\o\\\\\100\0\eng\d 001439164 020__ $$a9789811637421$$q(electronic bk.) 001439164 020__ $$a9811637423$$q(electronic bk.) 001439164 020__ $$z9811637415 001439164 020__ $$z9789811637414 001439164 0247_ $$a10.1007/978-981-16-3742-1$$2doi 001439164 035__ $$aSP(OCoLC)1265346323 001439164 040__ $$aYDX$$beng$$epn$$cYDX$$dGW5XE$$dOCLCO$$dOCLCF$$dUKAHL$$dOCLCO$$dOCLCQ$$dOCLCO$$dOCLCQ 001439164 049__ $$aISEA 001439164 050_4 $$aP165 001439164 08204 $$a410.1/835$$223 001439164 1112_ $$aLMGIC (Conference)$$d(2021 :$$cSaint Petersburg, Russia) 001439164 24510 $$aLanguage, music and gesture :$$binformational crossroads : LMGIC 2021 /$$cTatiana Chernigovskaya, Polina Eismont, Tatiana Petrova, editors. 001439164 2463_ $$aLMGIC 2021 001439164 260__ $$aSingapore :$$bSpringer,$$c2021. 001439164 300__ $$a1 online resource 001439164 336__ $$atext$$btxt$$2rdacontent 001439164 337__ $$acomputer$$bc$$2rdamedia 001439164 338__ $$aonline resource$$bcr$$2rdacarrier 001439164 5050_ $$aI. Language-Music-Gesture as Semiotic Systems -- II. Language-Music-Gesture Onstage -- III. Verbalization of Music and Gesture -- IV. The Beat of Language -- V. Emotions in Linguistics and AI-Communication Systems. 001439164 506__ $$aAccess limited to authorized users. 001439164 520__ $$aThis book brings together selected revised papers representing a multidisciplinary approach to language, music, and gesture, as well as their interaction. Among the number of multidisciplinary and comparative studies of the structure and organization of language and music, the presented book broadens the scope with the inclusion of gesture problems in the analyzed spectrum. A unique feature of the presented collection is that the papers, compiled in one volume, allow readers to see similarities and differences in gesture as an element of non-verbal communication and gesture as the main element of dance. In addition to enhancing the analysis, the data on the perception and comprehension of speech, music, and dance in regard to both their functioning in a natural situation and their reflection in various forms of performing arts makes this collection extremely useful for those who are interested in human cognitive abilities and performing skills. The book begins with a philosophical overview of recent neurophysiological studies reflecting the complexity of higher cognitive functions, which references the idea of the baroque style in art being neither linear nor stable. 001439164 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed September 14, 2021). 001439164 650_0 $$aCognitive grammar$$vCongresses. 001439164 650_0 $$aMusic and language$$vCongresses. 001439164 650_6 $$aGrammaire cognitive$$vCongrès. 001439164 650_6 $$aMusique et langage$$vCongrès. 001439164 655_7 $$aConference papers and proceedings.$$2fast$$0(OCoLC)fst01423772 001439164 655_0 $$aElectronic books. 001439164 7001_ $$aChernigovskaya, Tatiana,$$eeditor. 001439164 7001_ $$aEismont, Polina,$$eeditor. 001439164 7001_ $$aPetrova, Tatiana,$$eeditor. 001439164 77608 $$iPrint version:$$aLMGIC (Conference) (2021 : Saint Petersburg, Russia).$$tLanguage, music and gesture.$$dSingapore : Springer, 2021$$z9811637415$$z9789811637414$$w(OCoLC)1252961588 001439164 852__ $$bebk 001439164 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-16-3742-1$$zOnline Access$$91397441.1 001439164 909CO $$ooai:library.usi.edu:1439164$$pGLOBAL_SET 001439164 980__ $$aBIB 001439164 980__ $$aEBOOK 001439164 982__ $$aEbook 001439164 983__ $$aOnline 001439164 994__ $$a92$$bISE