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001439223 001__ 1439223
001439223 003__ OCoLC
001439223 005__ 20230309004417.0
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001439223 019__ $$a1265456517
001439223 020__ $$a9783030753054$$q(electronic bk.)
001439223 020__ $$a3030753050$$q(electronic bk.)
001439223 020__ $$z9783030753047
001439223 020__ $$z3030753042
001439223 0247_ $$a10.1007/978-3-030-75305-4$$2doi
001439223 035__ $$aSP(OCoLC)1265463893
001439223 040__ $$aEBLCP$$beng$$epn$$cEBLCP$$dGW5XE$$dYDX$$dOCLCO$$dOCLCF$$dUKAHL$$dN$T$$dOCLCQ$$dOCLCO$$dOCLCQ
001439223 049__ $$aISEA
001439223 050_4 $$aBH301.A94
001439223 08204 $$a701/.17$$223
001439223 1001_ $$aPaić, Žarko,$$d1958-
001439223 24510 $$aAesthetics and the iconoclasm of contemporary art:$$bpictures without a world /$$cŽarko Paić.
001439223 260__ $$aCham :$$bSpringer,$$c2021.
001439223 300__ $$a1 online resource (151 pages)
001439223 336__ $$atext$$btxt$$2rdacontent
001439223 337__ $$acomputer$$bc$$2rdamedia
001439223 338__ $$aonline resource$$bcr$$2rdacarrier
001439223 4901_ $$aSpringerBriefs in Philosophy
001439223 504__ $$aIncludes bibliographical references and index.
001439223 5050_ $$aIntro -- Preface -- Acknowledgements -- Contents -- Chapter 1: Introduction -- Chapter 2: The World Without a Picture: Avant-Garde and Iconoclasm -- 2.1 Introduction -- 2.2 Iconoclasm Beyond Religion and Aesthetics -- 2.3 The Worldhood of the World -- 2.4 The Sublime and the Avant-Garde -- 2.5 The Avant-Garde and the "End of Art" -- 2.6 Conclusion -- References -- Chapter 3: Deconstruction of the Image: From Mimesis and Representation to Communication -- 3.1 Introduction: On the Trace of the Picture -- 3.1.1 The Iconic Turn -- 3.1.2 The Anthropology of Images (Bild-Anthropologie)
001439223 5058_ $$a3.1.3 The Image as a Communication Medium -- 3.1.4 The World-Picture and the Scene of the Subject: Heidegger's Trace -- 3.2 Conclusion: Video-Centrism Without History? -- References -- Chapter 4: The Dark Core of Mimesis: Art, Body and Image in the Thought of Jean-Luc Nancy -- 4.1 Introduction -- 4.1.1 What Is Art? -- 4.1.2 The Disembodiment and the Rising of the Body -- 4.1.3 An Image Without Foundation -- 4.2 Conclusion -- References -- Chapter 5: The Dead-Nature of the Body: Biopolitics and Images of Humans' End -- 5.1 Art, But for What Reason? -- 5.2 Metamorphosis of the Body
001439223 5058_ $$a5.2.1 Avant-Garde and Neo-Avant-Garde -- 5.2.2 The Symbolism of Life and Its Images -- 5.2.3 Two Bodies of Performative Art -- 5.2.4 Spectacle and Virtual Art -- 5.3 Biopolitics Against Life? -- 5.3.1 Art Without a Human -- 5.3.2 Cyborg-Transgenic Art-The Other World -- 5.4 Conclusion -- References -- Chapter 6: Event of the Moment: Time in Contemporary Art -- 6.1 The Permanent Revolution: Time of the Avant-Garde -- 6.2 Flash Moment -- 6.3 Clocks and Calendars: Dalí-Darboven -- 6.4 Conclusion -- References -- Chapter 7: Figures of Resistance: Painting After the End of the Avant-garde
001439223 5058_ $$a7.1 The Black Cross of the Retro-Avant-garde -- 7.2 How Are Objects Observed? -- 7.3 Mediation of the Society of the Spectacle -- 7.4 Conclusion: Duchamp's Last Act -- References -- Chapter 8: Conclusion -- Index
001439223 506__ $$aAccess limited to authorized users.
001439223 520__ $$aThe main themes and aims of this book are understanding aesthetics, contemporary art and the end of the avant-garde not from the traditional viewpoint of the metaphysics of the beautiful and the sublime but rather thru close connection to the techno-genesis of virtual worlds. This book tackles problems in contemporary art theory such as the body in space and time of digital technologies, along with other issues in visual studies and image science. Further intentions exhibit the fundamental reasons for the disappearance of the picture in the era of virtual reality starting from the notion of contemporary art as realized iconoclasm; art has no world for its "image". The author argues that the iconoclasm of contemporary art has severe consequences. This text appeals to philosophers of art and those interested in contemporary art theory
001439223 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed September 9, 2021).
001439223 650_0 $$aAesthetics.
001439223 650_0 $$aArt, Modern$$y21st century.
001439223 650_0 $$aArt, Modern.
001439223 650_6 $$aArt$$y21e siècle.
001439223 655_0 $$aElectronic books.
001439223 77608 $$iPrint version:$$aPaić, Žarko$$tAesthetics and the Iconoclasm of Contemporary Art$$dCham : Springer International Publishing AG,c2021$$z9783030753047
001439223 830_0 $$aSpringerBriefs in philosophy.
001439223 852__ $$bebk
001439223 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-75305-4$$zOnline Access$$91397441.1
001439223 909CO $$ooai:library.usi.edu:1439223$$pGLOBAL_SET
001439223 980__ $$aBIB
001439223 980__ $$aEBOOK
001439223 982__ $$aEbook
001439223 983__ $$aOnline
001439223 994__ $$a92$$bISE