Transnational German cinema : encountering Germany through film and events / Irina Herrschner, Kirsten Stevens, Benjamin Nickl, editors.
Herrschner, Irina, editor.; Stevens, Kirsten, editor.; Nickl, Benjamin, editor.
2021
PN1993.5.G3 T73 2021
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Title Transnational German cinema : encountering Germany through film and events / Irina Herrschner, Kirsten Stevens, Benjamin Nickl, editors.
ISBN 9783030729172 (electronic bk.)
3030729176 (electronic bk.)
9783030729165
3030729168
DOI https://doi.org/10.1007/978-3-030-72917-2
Published Cham : Springer, [2021]
Copyright ©2021
Language English
Description 1 online resource : illustrations (chiefly color)
Other Standard Identifiers 10.1007/978-3-030-72917-2 doi
Call Number PN1993.5.G3 T73 2021
Dewey Decimal Classification 791.430943
Summary This volume explores the notion of German cinema as both a national and increasingly transnational entity. It brings together chapters that analyse the international circuits of development and distribution that shape the emerging films as part of a contemporary "German cinema", the events and spectacles that help frame and re-frame national cinemas and their discoverability, and the well-known filmmakers who sit at the vanguard of the contemporary canon. Thereby, it explores what we understand as German cinema today and the many points where this idea of national cinema can be interrogated, expanded and opened up to new readings. At the heart of this interrogation is a keen awareness of the technological, social, economic and cultural changes that have an impact on global cinemas more broadly: new distribution channels such as streaming platforms and online film festivals, and audience engagement that transcends national borders as well as the cinema space. International film production and financing further heightens the transnational aspects of cinema, a quality that is often neglected in marketing and branding of the filmic product. With particular focus on film festivals, this volume explores the tensions between the national and transnational in film, but also in the events that sit at the heart of global cinema culture. It includes contributions from filmmakers, cultural managers and other professionals in the field of film and cinema, as well as scholarly contributions from academics researching popular culture, film, and events in relation to Germany
Access Note Access limited to authorized users.
Source of Description Online resource; title from PDF title page (SpringerLink, viewed September 15, 2021).
Added Author Herrschner, Irina, editor.
Stevens, Kirsten, editor.
Nickl, Benjamin, editor.
Series Global Germany in transnational dialogues.
Available in Other Form Print version: 9783030729165
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Part I: Films in Global Circuits
Chapter 1. Trans-national Encounters at the Berlinale: A Look From the Inside (Irina Herrschner)
Chapter 2. Translation and Dissemination of German Films in China (1994-2018) (Jin Haina)
Chapter 3. Transnational Qualities of German Cinema: An Austro/European Audience Analysis (Deniz Ozalpman)
Chapter 4. International Feature Film Co-Productions Between Australia and Germany: An Australian Perspective (Franziska Wagenfeld)
Part II: Transnational Audiences and Communities
Chapter 5. Tuvalu Live!: Live Re-scoring, Transnational Digital Participation and Audience Engagement in a Film Festival Context (Sarah Atkinson)
Chapter 6. The Black German Experience in Afro-European Cinema
or How Woke Twitter Called Out Amma Asante for Romancing the Reich (Benjamin Nickl)
Chapter 7. #Germancinema in the Eye of Instagram: Showcasing a Method Combination (Joan Ramon Rodriguez-Amat)
Part III: German Filmmakers in a Global Environment
Chapter 8. Intercultural Experience Through Affective Encounters: Marten Persiels This Aint California (2012) (James Cleverley)
Chapter 9. Werner Herzog and the Transnational-Appeal of the Mythic Hyperreal (Stefan Popescu)
Chapter 10. Lars von Trier and German Expressionism: Understanding von Triers Transnational Appeal (Aleks Wansbrough)
Chapter 11. "Denglish," "International English," "Garbage Language," and "Corporate Speak" : Transnational Non-language in Maren Ades Toni Erdmann (Blythe Worthy).

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