001439421 000__ 04342cam\a2200721\i\4500 001439421 001__ 1439421 001439421 003__ OCoLC 001439421 005__ 20230309004427.0 001439421 006__ m\\\\\o\\d\\\\\\\\ 001439421 007__ cr\un\nnnunnun 001439421 008__ 210904s2021\\\\sz\a\\\\ob\\\\000\0\eng\d 001439421 020__ $$a9783030823757$$q(electronic bk.) 001439421 020__ $$a303082375X$$q(electronic bk.) 001439421 020__ $$z9783030823740 001439421 020__ $$z3030823741 001439421 0247_ $$a10.1007/978-3-030-82375-7$$2doi 001439421 035__ $$aSP(OCoLC)1266896532 001439421 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dOCLCO$$dN$T$$dUKAHL$$dOCLCQ$$dOCLCO$$dOCLCQ 001439421 043__ $$au-at---$$au-nz---$$an------ 001439421 049__ $$aISEA 001439421 050_4 $$aPN2071.R45$$bS97 2021 001439421 08204 $$a792.02/8089$$223 001439421 1001_ $$aSyron, Liza-Mare,$$eauthor. 001439421 24510 $$aRehearsal practices of Indigenous women theatre makers :$$bAustralia, Aotearoa, and Turtle Island /$$cLiza-Mare Syron. 001439421 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2021] 001439421 264_4 $$c©2021 001439421 300__ $$a1 online resource :$$bcolor illustrations 001439421 336__ $$atext$$btxt$$2rdacontent 001439421 337__ $$acomputer$$bc$$2rdamedia 001439421 338__ $$aonline resource$$bcr$$2rdacarrier 001439421 4901_ $$aPalgrave pivot 001439421 504__ $$aIncludes bibliographical references. 001439421 5050_ $$aCHAPTER 1: Introduction -- CHAPTER 2: From Here to There -- CHAPTER 3: Sharing Stories -- CHAPTER 4: Embodied Knowledge -- CHAPTER 5: The Way We Make Theatre. 001439421 506__ $$aAccess limited to authorized users. 001439421 520__ $$aThis transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island. It offers a new perspective in Performance Studies employing an Indigenous standpoint, specifically an Indigenous womans standpoint to privilege the practices and knowledges of Maori, First Nations, and Aboriginal women playwrights. Written in the style of ethnographic narrative the author affords the reader a ringside seat in providing personal insights on the process of negotiating access to rehearsals in each specific cultural context, detailed descriptions of each rehearsal location, and describing the visceral experiences of observing Indigenous theatre makers from inside the rehearsal room. The Indigenous scholar and theatre maker draws on Rehearsal Studies as an approach to documenting the day-to-day working practices of Indigenous theatre makers and considers an Indigenous Standpoint as a valid framework for investigating contemporary Indigenous theatre practices in a colonised context. Dr Liza-Mare Syron has family ties to the Biripi people from NSW Australia. She is a director, actor, teacher, dramaturge and an award winning academic. Liza-Mare is a co-founder of Moogahlin Performing Arts, and is currently a Senior Associate of the company, and a Senior Scientia Lecturer at UNSW, Sydney. 001439421 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed September 8, 2021). 001439421 650_0 $$aTheater rehearsals$$zAustralia. 001439421 650_0 $$aTheater rehearsals$$zNew Zealand. 001439421 650_0 $$aTheater rehearsals$$zNorth America. 001439421 650_0 $$aWomen, Aboriginal Australian$$xSocial life and customs. 001439421 650_0 $$aWomen, Maori$$xSocial life and customs. 001439421 650_0 $$aIndian women$$xSocial life and customs. 001439421 650_0 $$aTheater$$zAustralia. 001439421 650_0 $$aTheater$$zNew Zealand. 001439421 650_0 $$aIndian theater. 001439421 650_0 $$aIndian drama. 001439421 650_6 $$aRépétitions (Théâtre)$$zAustralie. 001439421 650_6 $$aRépétitions (Théâtre)$$zNouvelle-Zélande. 001439421 650_6 $$aRépétitions (Théâtre)$$zAmérique du Nord. 001439421 650_6 $$aAustraliennes (Aborigènes)$$xMœurs et coutumes. 001439421 650_6 $$aMaories$$xMœurs et coutumes. 001439421 650_6 $$aIndiennes d'Amérique$$xMœurs et coutumes. 001439421 650_6 $$aThéâtre$$zNouvelle-Zélande. 001439421 650_6 $$aThéâtre indien d'Amérique. 001439421 655_0 $$aElectronic books. 001439421 77608 $$iPrint version:$$aSyron, Liza-Mare.$$tRehearsal practices of Indigenous women theatre makers.$$dBasingstoke : Palgrave Macmillan, 2021$$z9783030823740$$w(OCoLC)1263795353 001439421 830_0 $$aPalgrave pivot. 001439421 852__ $$bebk 001439421 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-82375-7$$zOnline Access$$91397441.1 001439421 909CO $$ooai:library.usi.edu:1439421$$pGLOBAL_SET 001439421 980__ $$aBIB 001439421 980__ $$aEBOOK 001439421 982__ $$aEbook 001439421 983__ $$aOnline 001439421 994__ $$a92$$bISE