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Table of Contents
Introduction
Part I: Performing the Humoral Body
Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland)
Performing Pain, Michael Schoenfeldt (University of Michigan)
Humoral Style(s), Robert Stagg (University of Oxford)
A dummy corpse full of bones and entrails: Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside)
Part II: The Humorality of Objects. Having no heart: the Humorality of Toys and Games, Ariane M. Balizet (Texas Christian University)
The Virgin Queens Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University)
Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington)
Part III: Humoral Pursuits
Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It Kimberly Rhodes (Drew University)
A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University)
Great Annyoyance to Their Mindes: the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University)
Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library).
Part I: Performing the Humoral Body
Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland)
Performing Pain, Michael Schoenfeldt (University of Michigan)
Humoral Style(s), Robert Stagg (University of Oxford)
A dummy corpse full of bones and entrails: Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside)
Part II: The Humorality of Objects. Having no heart: the Humorality of Toys and Games, Ariane M. Balizet (Texas Christian University)
The Virgin Queens Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University)
Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington)
Part III: Humoral Pursuits
Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It Kimberly Rhodes (Drew University)
A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University)
Great Annyoyance to Their Mindes: the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University)
Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library).