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001439684 001__ 1439684
001439684 003__ OCoLC
001439684 005__ 20230309004514.0
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001439684 020__ $$a9783030801816$$q(electronic bk.)
001439684 020__ $$a3030801810$$q(electronic bk.)
001439684 020__ $$z9783030801809
001439684 020__ $$z3030801802
001439684 0247_ $$a10.1007/978-3-030-80181-6$$2doi
001439684 035__ $$aSP(OCoLC)1268325688
001439684 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dOCLCO$$dOCLCF$$dN$T$$dUKAHL$$dOCLCO$$dOCLCQ$$dTFW$$dOCLCQ$$dGGVRL
001439684 049__ $$aISEA
001439684 050_4 $$aPN1995.9.E27$$bS36 2021
001439684 08204 $$a791.43/6553$$223
001439684 1001_ $$aSanchez-Pages, Santiago,$$eauthor.
001439684 24514 $$aThe representation of economics in cinema :$$bscarcity, greed and utopia /$$cSantiago Sanchez-Pages.
001439684 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2021]
001439684 264_4 $$c©2021
001439684 300__ $$a1 online resource
001439684 336__ $$atext$$btxt$$2rdacontent
001439684 337__ $$acomputer$$bc$$2rdamedia
001439684 338__ $$aonline resource$$bcr$$2rdacarrier
001439684 504__ $$aIncludes bibliographical references and index.
001439684 5050_ $$aChapter 1: Introduction: Mr Smith Goes to the Movies -- Chapter 2: Scarcity, Conflicts, and Dystopia -- Chapter 3: Evil is the Root of all Money -- Chapter 4: Brokers, Bankers and Boiler Rooms -- Chapter 5: Evil, Inc -- Chapter 6: Disruptors -- Chapter 7: The Path of Workers -- Chapter 8: Women at Work -- Chapter 9: Crises -- Chapter 10: Conclusion: Post-Scarcity and Utopia.
001439684 506__ $$aAccess limited to authorized users.
001439684 520__ $$aCinema articulates the economic anxieties of each generation of filmmakers and audiences. It has an influence on peoples views on various economic issues and many orders of magnitude larger than that of economics as a discipline. This book offers a sweeping study of the representation of economics in cinema across a wide range of areas and genres, from the conflicts over resources in the lawless Old West to the post-scarcity societies of science fiction futures. This book studies how films have portrayed trade unions, scarcity, money, businesses, innovators, migrant workers, working women, globalization, the stock market, and the automation of work. It aims to be useful to those who are interested in cinema with economic themes and to those who want to learn about economics through cinema. Santiago Sanchez-Pages is associate professor in economics at Kings College London, UK. His academic research focuses on political economy, economic theory, and experimental economics. His articles have been published in leading international journals. He also writes on film and popular culture and has published several short stories.
001439684 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed September 23, 2021).
001439684 650_0 $$aEconomics in motion pictures.
001439684 650_0 $$aMotion pictures$$xHistory.
001439684 650_6 $$aÉconomie politique au cinéma.
001439684 650_6 $$aCinéma$$xHistoire.
001439684 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001439684 655_0 $$aElectronic books.
001439684 77608 $$iPrint version:$$aSanchez-Pages, Santiago.$$tRepresentation of economics in cinema.$$dCham, Switzerland : Palgrave Macmillan, [2021]$$z3030801802$$w(OCoLC)1255173150
001439684 852__ $$bebk
001439684 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-80181-6$$zOnline Access$$91397441.1
001439684 909CO $$ooai:library.usi.edu:1439684$$pGLOBAL_SET
001439684 980__ $$aBIB
001439684 980__ $$aEBOOK
001439684 982__ $$aEbook
001439684 983__ $$aOnline
001439684 994__ $$a92$$bISE