TY  - GEN
N2  - This research book is the first of its kind to conduct an interdisciplinary research on the recent and dramatic developments in Chinas music industries with a particular focus on business models, copyright protection, and artist compensation. The monograph explores and discusses proper business models through which revenue can be generated and maintained in a changing copyright climate and transforming business environment. It also discusses how musicians can be fairly compensated in the online platform economy informed by social entrepreneurship. This book is distinctive in the sense that it explores the intersection of cultural and creative industries, legal studies, business studies, and new media. It uses a qualitative and mixed-method approach to study business innovations and institutions in the making in the second largest economy which is also gaining cultural and political significance around the world. Zhen Troy Chen, PhD, FHEA, Senior Lecturer in Digital Advertising, London College of Communication, University of the Arts London. He is also Adjunct Research Fellow of the Griffith Centre for Design and Innovation Research at Griffith University, Gold Coast Campus. His research interests are in digital media, cultural and creative industries, cultural and media policy (copyright), journalism, and experience design. His research papers have appeared in Journal of Consumer Culture, Ethics and Information Technology, Social Semiotics, Asian Journal of Womens Studies, and Global Media and China. He also contributed his book chapters published by Bloomsbury Academic and Routledge.
DO  - 10.1007/978-981-16-3949-4
DO  - doi
AB  - This research book is the first of its kind to conduct an interdisciplinary research on the recent and dramatic developments in Chinas music industries with a particular focus on business models, copyright protection, and artist compensation. The monograph explores and discusses proper business models through which revenue can be generated and maintained in a changing copyright climate and transforming business environment. It also discusses how musicians can be fairly compensated in the online platform economy informed by social entrepreneurship. This book is distinctive in the sense that it explores the intersection of cultural and creative industries, legal studies, business studies, and new media. It uses a qualitative and mixed-method approach to study business innovations and institutions in the making in the second largest economy which is also gaining cultural and political significance around the world. Zhen Troy Chen, PhD, FHEA, Senior Lecturer in Digital Advertising, London College of Communication, University of the Arts London. He is also Adjunct Research Fellow of the Griffith Centre for Design and Innovation Research at Griffith University, Gold Coast Campus. His research interests are in digital media, cultural and creative industries, cultural and media policy (copyright), journalism, and experience design. His research papers have appeared in Journal of Consumer Culture, Ethics and Information Technology, Social Semiotics, Asian Journal of Womens Studies, and Global Media and China. He also contributed his book chapters published by Bloomsbury Academic and Routledge.
T1  - China's music industry unplugged :business models, copyright and social entrepreneurship in the online platform economy /
AU  - Chen, Zhen Troy,
CN  - ML3790
ID  - 1439707
KW  - Music trade
KW  - Copyright
KW  - Social entrepreneurship
KW  - Musique
KW  - Droit d'auteur
KW  - Entrepreneuriat social
SN  - 9789811639494
SN  - 9811639493
TI  - China's music industry unplugged :business models, copyright and social entrepreneurship in the online platform economy /
LK  - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-16-3949-4
UR  - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-16-3949-4
ER  -