Art, ethics and the human-animal relationship / Linda Johnson.
2021
N7660 .J64 2021
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Details
Title
Art, ethics and the human-animal relationship / Linda Johnson.
ISBN
9783030788339 (electronic bk.)
3030788334 (electronic bk.)
9783030788322
3030788326
3030788334 (electronic bk.)
9783030788322
3030788326
Published
Cham : Palgrave Macmillan, [2021]
Copyright
©2021
Language
English
Description
1 online resource : illustrations (some color)
Item Number
10.1007/978-3-030-78833-9 doi
Call Number
N7660 .J64 2021
Dewey Decimal Classification
704.9/432
Summary
This book examines the works of major artists between the seventeenth and nineteenth centuries, as important barometers of individual and collective values toward non-human life. Once viewed as merely representational, these works can also be read as tangential or morally instrumental by way of formal analysis and critical theories. Chapter Two demonstrates the discrimination toward large and small felines in Genesis and The Book of Revelation. Chapter Three explores the cruel capture of free roaming animals and how artists depicted their furs, feathers and shells in costume as symbols of virtue and vice. Chapter Four identifies speciest beliefs between donkeys and horses. Chapter Five explores the altered Dutch kitchen spaces and disguised food animals in various culinary constructs in still life painting. Chapter Six explores the animal substances embedded in pigments. Chapter Seven examines animals in absentia-in the crafting of brushes. The book concludes with the fish paintings of William Merritt Chase whose glazing techniques demonstrate an artistic approach that honors fishes as sentient beings.
Bibliography, etc. Note
Includes bibliographical references and indexes.
Access Note
Access limited to authorized users.
Source of Description
Description based on print version record.
Series
Palgrave Macmillan animal ethics series.
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Table of Contents
1. Chapter 1: Introduction
2. Chapter 2: A New Breed: The Cat as Scapegoat in Edenic and Utopian Imagery
3. Chapter 3: Virtue and Vice in High Couture
4. Chapter 4: Transformational Approaches: Equine Speciesism
5. Chapter 5: Looking Askance: The Changing Shape Of "Meat" In Dutch Still Life Painting
6. Chapter 6: Historical Processes: Embodied /Embedded
7. Chapter 7: Absent Referents: Bristly Brushes
8. Chapter 8: Conclusion: Darkness into Light
2. Chapter 2: A New Breed: The Cat as Scapegoat in Edenic and Utopian Imagery
3. Chapter 3: Virtue and Vice in High Couture
4. Chapter 4: Transformational Approaches: Equine Speciesism
5. Chapter 5: Looking Askance: The Changing Shape Of "Meat" In Dutch Still Life Painting
6. Chapter 6: Historical Processes: Embodied /Embedded
7. Chapter 7: Absent Referents: Bristly Brushes
8. Chapter 8: Conclusion: Darkness into Light