The Palgrave handbook of queer and trans feminisms in contemporary performance / Tiina Rosenberg, Sandra D'Urso, Anna Renée Winget, editors.
Rosenberg, Tiina, editor.; D'Urso, Sandra, editor.; Winget, Anna Renée, editor.
2021
PN1590.G39 P35 2021
Available Online

Linked e-resources

Linked Resource
Online Access
Concurrent users
Unlimited
Authorized users
Authorized users
Document Delivery Supplied
Can lend chapters, not whole ebooks

Details

Title
The Palgrave handbook of queer and trans feminisms in contemporary performance / Tiina Rosenberg, Sandra D'Urso, Anna Renée Winget, editors.
ISBN
9783030695552 (electronic bk.)
3030695557 (electronic bk.)
9783030695545
3030695549
DOI
https://doi.org/10.1007/978-3-030-69555-2
Published
Cham : Palgrave Macmillan, [2021]
Copyright
©2021
Language
English
Description
1 online resource : illustrations (chiefly color)
Item Number
10.1007/978-3-030-69555-2 doi
Call Number
PN1590.G39 P35 2021
Dewey Decimal Classification
792.0866
Summary
The purpose of this Handbook is to provide students with an overview of key developments in queer and trans feminist theories and their significance to the field of contemporary performance studies. It presents new insights highlighting the ways in which rigid or punishing notions of gender, sexuality and race continue to flourish in systems of knowledge, faith and power which are relevant to a new generation of queer and trans feminist performers today. The guiding question for the Handbook is: How do queer and trans feminist theories enhance our understanding of developments in feminist performance today, and will this discussion give rise to new ways of theorizing contemporary performance? As such, the volume will survey a new generation of performers and theorists, as well as senior scholars, who engage and redefine the limits of performance. The chapters will demonstrate how intersectional, queer and trans feminist theoretical tools support new analyses of performance with a global focus. The primary audience will be students of theatre/ performance studies as well as queer /gender studies. The volumes contents suggest close links between the formation of queer feminist identities alongside recent key political developments with transnational resonances. Furthermore, the emergence of new queer and trans feminist epistemologies prompts a reorientation regarding performance and identities in a 21st-century context.
Note
Includes index.
Access Note
Access limited to authorized users.
Source of Description
Description based on print version record.
Added Author
Rosenberg, Tiina, editor.
D'Urso, Sandra, editor.
Winget, Anna Renée, editor.
Available in Other Form
Palgrave handbook of queer and trans feminisms in contemporary performance.
Linked Resources
Online Access
Record Appears in
Online Resources > Ebooks
All Resources
1. INTRODUCTION: QUEER AND TRANS FEMINIST PERFORMANCE; Sandra DUrso, Tiina Rosenberg, and Anna Renee Winget
2. BUTCH WOMAN: A MEDITATION; Sue-Ellen Case
3. THE BUTCH MONOLOGUES: PERFORMANCE AS A BRIDGE FROM "BORDER WARS" PLAYGROUND; Alyson Campbell
4. ON TRANSLATION: GAY INC. ORPORATED THE TRIANGLE AND THE FARTING UNICORN; Sam Bourcier
5. THE UNDISCIPLINED BODY: PHIA MENARD AND HER EXPERIENCE OF ORGANIC PERFORMANCE; Stefania Lodi Rizzini
6. PERFORMING IMPROPER DESIRES: THE UNINTELLIGIBILITY OF CONVERT BLACK MUSLIM WOMEN; Jan Mendes
7. IM/POSSIBLE UN/VEILINGS: ASIFA LAHORE AND BRITISH-ASIAN MUSLIM DRAG PERFORMANCE; Claire Pamment
8. ALIENATED FLESH AT THE PLACE OF TRAUMA AND DEATH: UNEARTHING THE BLACK (QUEERED) UN-HUMAN IN SUZAN-LORI PARKS ONE CHARACTER PLAY PICKLING; Jaye Austin Williams
9. YOU CANT HOLD MY BABY: AN OPEN LETTER TO PREDOMINANT WHITE INSTITUTIONS OF THEATRE ARTS; Leelee Jackson
10. ACTIVATING CIS WHITE FRAGILITY: THE OPPOSITIONAL GAZE IN TRAVIS ALABANZAS LEFT OUTSIDE ALONE; Beck Tadman
11. BETWEEN MESS AND METHOD: PERFORMANCE ART ECONOMIX/TURES; Esther Neff
12. WHOSE PRIDE IS THIS ANYWAY? THE QUARE PERFORMANCE OF THE #BLACKPRIDE; Zane McNeill and Kyra Smith
13. IT HAPPENED TO #METOO: QUEER FEMINIST CRITIQUE OF CISGENDER WHITE FEMINISM; Tiina Rosenberg
14. LIP-SYNCING FOR OUR LIVES: QUEERING DISSENT IN QUEER & NOW. A LIP-SYNC SPECTACULAR; Finn Lefevre
15. THE CASE OF DEBORAH DE ROBERTISS PERFORMANCE ART, NUDITY, AND INSTITUTIONAL REPRISAL; Sandra DUrso
16. DEVIANTS, QUEERS, OR SCISSORING SISTERS OF MEN? TRANSLATING AND LOCATING QUEER AND TRANS FEMINISMS IN THE CONTEMPORARY ARABIC-SPEAKING WORLD; Joel W. Abdelmoez
17. (TRANS- )FORMING GENDER IDEOLOGIES THROUGH PERFORMANCE IN RUSSIA: CYBERFEMINIST SOMATEXTS OF THE MAAILMANLOPPU THEATRE; Tatiana Klepikova
18. I AM NEPANTLA: THE BODIES THAT MATTER IN CHICANA/O AND MEXICAN ART; Amarilis Perez Vera
19. QUEER CROSSINGS AND TRANSFORMATIONS; Sandra Chatterjee, Cynthia Lee, and Shyamala Moorty
20. PERFORMING THE PLEASURE IN THE POETIC; Cassils in dialogue with Sandra DUrso
21. TOWARDS A QUEER LABORATORY; Ben Spatz
22. HEALING CHAOS IN MOTION; Sydney Flynn Rogers/ Miss Barbie-Q
23. ADRIAN PIPERS PSYCHEDELIC DRAG; Denise (Deni) Li
24. NARCISSISM AND HEALING IN QUEER FEMINIST CABARET IN AUSTRALIA; Sarah French in dialogue with Sarah Ward
25. DISCURSIVE CONTORTION AND HEALING: INHABITING YOGA BODIES QUEERLY; Camilla Damkjaer
26. WITNESSING RAWNESS: COMMUNITY AND HEALING; DLo in dialogue with Anna Renee Winget
27. CUIR SUDAK TRANSPOSSESSIONS AND OTHER MAGICAL MUTATIONS (or, about the practice of healing The-selves otherwise); Krizia Puig
28. HEALING THROUGH PERFORMANCE AND ACTIVISM (Supplemental to the chapter "Decolonizing the University with DarkMatters Healing of/in Failure"; Alok Vaid-Menon in dialogue with Anna Renee Winget
29. DECOLONIZING THE UNIVERSITY WITH DARKMATTERS HEALING OF/IN FAILURE; Anna Renee Winget
30. CONCLUSION: THE FUTURE OF QUEER AND TRANS FEMINIST PERFORMANCE; Sandra DUrso, Tiina Rosenberg, and Anna Renee Winget in dialogue with Emi Koyama and Eric A. Stanley.

Browse Subjects

Show more subjects...

Statistics

from
to
Export