001439942 000__ 04537cam\a2200553\i\4500 001439942 001__ 1439942 001439942 003__ OCoLC 001439942 005__ 20230309004531.0 001439942 006__ m\\\\\o\\d\\\\\\\\ 001439942 007__ cr\un\nnnunnun 001439942 008__ 210928t20212021sz\\\\\\ob\\\\001\0\eng\d 001439942 019__ $$a1269480639 001439942 020__ $$a9783030843465$$q(electronic bk.) 001439942 020__ $$a3030843467$$q(electronic bk.) 001439942 020__ $$z9783030843458 001439942 020__ $$z3030843459 001439942 0247_ $$a10.1007/978-3-030-84346-5$$2doi 001439942 035__ $$aSP(OCoLC)1269317566 001439942 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dOCLCO$$dN$T$$dUKMGB$$dUKAHL$$dOCLCQ$$dTFW$$dOCLCO$$dOCLCQ 001439942 049__ $$aISEA 001439942 050_4 $$aPN1995.9.H6$$bS66 2021 001439942 08204 $$a791.43/6164$$223 001439942 1001_ $$aSopuck, Forrest Adam,$$eauthor. 001439942 24514 $$aThe aesthetics of horror films :$$ba Santayanan perspective /$$cForrest Adam Sopuck. 001439942 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021] 001439942 264_4 $$c©2021 001439942 300__ $$a1 online resource 001439942 336__ $$atext$$btxt$$2rdacontent 001439942 337__ $$acomputer$$bc$$2rdamedia 001439942 338__ $$aonline resource$$bcr$$2rdacarrier 001439942 4901_ $$aPalgrave pivot 001439942 504__ $$aIncludes bibliographical references and index. 001439942 5050_ $$aChapter 1: Introduction -- Chapter 2: Aesthetic Optimism -- Chapter 3: Fear in the Cinema and the Definition of Horror -- Chapter 4: Horror and its Dark Visions -- Chapter 5: Horror and its Dark Witnesses. 001439942 506__ $$aAccess limited to authorized users. 001439942 520__ $$a"Sopucks book provides a much-needed expansion of our understanding of the artistic value and cultural role of horror films. Engaging with scholars in the fields of psychology, philosophy, and horror theory, he carefully extends the aesthetic views of George Santayana into a highly original framework that he dubs the 'sport model' of horror aesthetics. But more than this, he then uses this framework to further examine the potentially dangerous necropolitical implications of horror in the contemporary landscape. Eminently readable, with outstanding degrees of theoretical elaboration and numerous cinematic examples, the book deftly balances the worlds of scholarship and popular entertainment, providing a work that is not only thoroughly enjoyable and personally relatable, but is also sure to leave a lasting impact in the world of horror theory."--Vernon W. Cisney, Associate Professor, Interdisciplinary Studies, Gettysburg College This book analyzes the nature and functions of horror films from the vantage of a theoretical reconstruction of George Santayanas account of beauty. A new model of horrors aesthetic enjoyment is detailed through the examination of plot, cinematic, and visual devices distinctive of the popular genre. According to this model, the audience derives pleasure from the films through confronting the aversive scenarios they communicate and rationalizing a denial of their personal applicability. The films then come to embody these acts of self-assertion and become objects of pride. How horror films can acquire necropolitical functions is also clarified. These functions, which exploit the power of anti-tragedy, downward social comparison, or vicarious emotion, work to remediate aggressive, ascetic, or revolutionary impulses in ways that are not injurious to the status quo. This book champions horror as a source of self-empowerment and beauty, but also attests to the potential harms of the genre. Forrest Adam Sopuck was awarded his Ph. D. in philosophy at McMaster University in 2015. He is a specialist in early modern philosophy by formation. His current work explores how Santayana's philosophical views contribute to contemporary metaphysical debates surrounding non-mereological composition, fundamentality, and colour 001439942 588__ $$aOnline resource; title from PDF title page (EBSCOhost platform, viewed April 15, 2022). 001439942 60010 $$aSantayana, George,$$d1863-1952$$xAesthetics. 001439942 650_0 $$aHorror films$$xHistory and criticism. 001439942 650_6 $$aFilms d'horreur$$xHistoire et critique. 001439942 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001439942 655_0 $$aElectronic books. 001439942 77608 $$iPrint version:$$aSopuck, Forrest Adam.$$tAesthetics of horror films.$$dCham, Switzerland : Palgrave Macmillan, [2021]$$z3030843459$$w(OCoLC)1260190700 001439942 830_0 $$aPalgrave pivot. 001439942 852__ $$bebk 001439942 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-84346-5$$zOnline Access$$91397441.1 001439942 909CO $$ooai:library.usi.edu:1439942$$pGLOBAL_SET 001439942 980__ $$aBIB 001439942 980__ $$aEBOOK 001439942 982__ $$aEbook 001439942 983__ $$aOnline 001439942 994__ $$a92$$bISE