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001439996 001__ 1439996
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001439996 005__ 20230309004535.0
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001439996 019__ $$a1272856022$$a1272957259$$a1272994683$$a1273979687
001439996 020__ $$a9783030741365$$q(electronic book)
001439996 020__ $$a3030741362$$q(electronic book)
001439996 020__ $$z3030741354
001439996 020__ $$z9783030741358
001439996 0247_ $$a10.1007/978-3-030-74136-5$$2doi
001439996 035__ $$aSP(OCoLC)1269615506
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001439996 049__ $$aISEA
001439996 050_4 $$aPN1993.5.U6$$bP55 2021
001439996 08204 $$a791.436581$$223
001439996 1001_ $$aPhillips, Kendall R.
001439996 24512 $$aA cinema of hopelessness :$$bthe rhetoric of rage in 21st Century popular culture /$$cKendall R. Phillips.
001439996 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan, an imprint of Springer Nature,$$c[2021]
001439996 300__ $$a1 online resource
001439996 336__ $$atext$$btxt$$2rdacontent
001439996 337__ $$acomputer$$bc$$2rdamedia
001439996 338__ $$aonline resource$$bcr$$2rdacarrier
001439996 4901_ $$aRhetoric, Politics and Society
001439996 5050_ $$aChapter 1. Introduction: Echoes of Refusal -- Chapter 2. A Certain Tendency in Post-Occupy Cinema: The Cabin in the Woods, The Purge, and Snowpiercer -- Chapter 3. You Get What You Fucking Deserve : Joker and the Fantasies of Refusal -- Chapter 4. Of Gods and Monsters: Grief, Betrayal, and Failure in the Marvel Cinematic Universe. Chapter 5. Conclusion: Endgame?
001439996 506__ $$aAccess limited to authorized users.
001439996 520__ $$aThis book explores the circulation of anger and hostility in contemporary American culture with particular attention to the fantasy of refusal, a dream of rejecting all the structures of the contemporary political and economic system. Framing the question of public sentiment through the lens of rhetorical studies, this book traces the circulation of symbols that craft public feelings in contemporary popular cinema. Analyzing popular twenty-first century films as invitations to a particular way of feeling, the book delves into the way popular sentiments are circulated and intensified. The book examines dystopian films (The Purge, The Cabin in the Woods), science fiction (Snowpiercer), and superhero narratives (the Marvel Cinematic Universe and Joker). Across these varied films, an affective economy that emphasizes grief, betrayal, refusal, and an underlying rage at the seeming hopelessness of contemporary culture is uncovered. These examinations are framed in terms of ongoing political protests ranging from Occupy Wall Street, the Tea Party, Black Lives Matter, and the 6th January 2021 invasion of the US Capitol Building. Kendall R. Phillips is Professor of Communication and Rhetorical Studies at Syracuse University, USA. His publications include Projected Fears: Horror Films and American Culture (2005), Dark Directions: Romero, Craven, Carpenter and the Modern Horror Film (2012) and A Place of Darkness: The Rhetoric of Horror in Early American Cinema (2018).
001439996 588__ $$aOnline resource; title from digital title page (viewed on October 07, 2021).
001439996 650_0 $$aMotion pictures$$zUnited States.
001439996 650_0 $$aGovernment, Resistance to$$xIn motion pictures.
001439996 650_0 $$aPolitics in motion pictures.
001439996 650_6 $$aCinéma$$zÉtats-Unis.
001439996 650_6 $$aRésistance au gouvernement$$xAu cinéma.
001439996 650_6 $$aPolitique au cinéma.
001439996 655_0 $$aElectronic books.
001439996 77608 $$iPrint version:$$z3030741354$$z9783030741358$$w(OCoLC)1243350637
001439996 830_0 $$aRhetoric, politics, and society series.
001439996 852__ $$bebk
001439996 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-74136-5$$zOnline Access$$91397441.1
001439996 909CO $$ooai:library.usi.edu:1439996$$pGLOBAL_SET
001439996 980__ $$aBIB
001439996 980__ $$aEBOOK
001439996 982__ $$aEbook
001439996 983__ $$aOnline
001439996 994__ $$a92$$bISE