Chapter 1: The Idea of Entanglement, Historiography, and Organization
Part 1: German-Japanese/Korean Entanglements, 1900-1945: Wagner, Bandmasters, and Japanese Students
Chapter 2: The Reception of Wagner in Japan at the Turn of the Twentieth Century: A Non-Musical Dimension of Cross-Border Music Transfer
Chapter 3: Music for Modern Korea: Bandmasters Franz Eckert and Baek U-yong
Chapter 4: Japanese Musicians in Germany and Austria, 1880-1945
Part 2: Sino-German Entanglements, 1900-1949: Operas, Beethoven, and Jewish Cantors
Chapter 5: The "Oriental" Utopia: Postwar Orientalism and Ferruccio Busonis Opera Turandot
Chapter 6: Reimagining China in Interwar German Opera: Eugen dAlberts Mister Wu and Ernst Tochs Der Facher
Chapter 7: Demarcation and Cooperation: Nazi-persecuted Jewish Cantors in Shanghai Exile, 1938-1949
Chapter 8: What Beethoven Meant in China, 1900-1949: Music, Ideology and Power
Part 3: German-East Asian Entanglements since 1945: Ferienkurse, Mozart, and East Asian Composers
Chapter 9: Mozart in the Context of Globalization: The Musician as Agent of Cultural Hybridity
Chapter 10: When "Japanese" Music Became "Modern" Music: The Internationale Ferienkurse fur Neue Musik as Intercultural Agency
Chapter 11: The Music of the Korean-German Composer Yun Isang in the Cold War Era: Interculturality and Engagement Art
Chapter 12: Korean Contemporary Music and Germany: An Examination of Four Korean Composers.