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Part 1. ON DEMAND ETHNOGRAPHERSChapter 1. Making 'Commissioned Home Movies' in Post-Socialist Romania: Ethnographic and Historical Perspectives Chapter 2. Ethnographic Investigations of Collaborative Filming for Dementia Chapter 3. Musicalizing the Other or the 'Otherfication' in Music?: The Anthropologist as an Audiovisual Mediator Chapter 4. Between Institutional Policies and Ethnographic Gazes: Thoughts on the Audiovisual Practices on the Register of Feira de Campina Grande as Brazilian Cultural Heritage PART 2. PRODUCERS AND PRODUCED Chapter 5. Videos of 'Prestes' or Religious Dance Fraternities as New Forms of Ostentatiousness in La Paz, Bolivia Chapter 6. Shooting Elites: An Ethnography of Wedding-film Production for Elites Chapter 7. The Circulation of Low-budget Videos in the Football System Chapter 8. Multiple Videographies: From Promotional Documentaries to Videoclips of Andean Popular Music in the Peruvian Videosphere PART 3. FORMS AND CIRCULATIONS Chapter 9. Expanding the Family Frame: Social Specialists, Intimate Publics, and Gendered Images of Mobility in Transnational Wedding Videos Chapter 10. Of Archons and Amateurs: Commissioned Filmmaking in Contemporary Brazilian Cinema Chapter 11. Aesthetic Norms of Subaltern Filmmaking: Comic Skits of the Everyday in Zimbabwe Chapter 12. Moral Panic at the Country: Conservative Civil Society Groups and Social Video Uses in Peru.

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