001440340 000__ 04867cam\a2200517\i\4500
001440340 001__ 1440340
001440340 003__ OCoLC
001440340 005__ 20230309004557.0
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001440340 007__ cr\cn\nnnunnun
001440340 008__ 210629s2021\\\\enka\\\\o\\\\\001\0\eng\d
001440340 019__ $$a1272955281$$a1273076890$$a1273121831$$a1273982083$$a1276862779
001440340 020__ $$a303078911X$$q(electronic book)
001440340 020__ $$a9783030789114$$q(electronic bk.)
001440340 020__ $$z9783030789107$$q(hardcover)
001440340 020__ $$z3030789101$$q(hardcover)
001440340 0247_ $$a10.1007/978-3-030-78911-4$$2doi
001440340 035__ $$aSP(OCoLC)1276800044
001440340 040__ $$aUKMGB$$beng$$erda$$epn$$cUKMGB$$dGW5XE$$dYDX$$dEBLCP$$dYDX$$dN$T$$dOCLCF$$dUKAHL$$dOCLCO$$dOCLCQ$$dOCLCO$$dOCLCQ
001440340 049__ $$aISEA
001440340 050_4 $$aGN347$$b.E84 2021
001440340 08204 $$a306$$223
001440340 24500 $$aEthnographies of 'on demand' films :$$banthropological explorations of commissioned audiovisual productions /$$cAlex Vailati, Gabriela Zamorano Villareal, editors.
001440340 264_1 $$aBasingstoke :$$bPalgrave Macmillan,$$c2021.
001440340 300__ $$a1 online resource :$$billustrations
001440340 336__ $$atext$$btxt$$2rdacontent
001440340 337__ $$acomputer$$bc$$2rdamedia
001440340 338__ $$aonline resource$$bcr$$2rdacarrier
001440340 500__ $$aIncludes index.
001440340 5050_ $$aPart 1. ON DEMAND ETHNOGRAPHERSChapter 1. Making 'Commissioned Home Movies' in Post-Socialist Romania: Ethnographic and Historical Perspectives Chapter 2. Ethnographic Investigations of Collaborative Filming for Dementia Chapter 3. Musicalizing the Other or the 'Otherfication' in Music?: The Anthropologist as an Audiovisual Mediator Chapter 4. Between Institutional Policies and Ethnographic Gazes: Thoughts on the Audiovisual Practices on the Register of Feira de Campina Grande as Brazilian Cultural Heritage PART 2. PRODUCERS AND PRODUCED Chapter 5. Videos of 'Prestes' or Religious Dance Fraternities as New Forms of Ostentatiousness in La Paz, Bolivia Chapter 6. Shooting Elites: An Ethnography of Wedding-film Production for Elites Chapter 7. The Circulation of Low-budget Videos in the Football System Chapter 8. Multiple Videographies: From Promotional Documentaries to Videoclips of Andean Popular Music in the Peruvian Videosphere PART 3. FORMS AND CIRCULATIONS Chapter 9. Expanding the Family Frame: Social Specialists, Intimate Publics, and Gendered Images of Mobility in Transnational Wedding Videos Chapter 10. Of Archons and Amateurs: Commissioned Filmmaking in Contemporary Brazilian Cinema Chapter 11. Aesthetic Norms of Subaltern Filmmaking: Comic Skits of the Everyday in Zimbabwe Chapter 12. Moral Panic at the Country: Conservative Civil Society Groups and Social Video Uses in Peru.
001440340 506__ $$aAccess limited to authorized users.
001440340 520__ $$aOver the last two decades, the advent of cheap, user-friendly video technologies has contributed to a revolution in representational agency. Videos are now made by production units that are at times composed of families, churches, musical groups, community associations or other institutions. Thus, on-demand videos produced and distributed within local and atypical networks profoundly shape contemporary urban imaginaries. This book explores the intertwined relations among infrastructure, technology, and modernity through an ordinary, yet little studied field of "on-demand" audiovisual production, which involves processes of negotiation and interaction between clients and commissioned video makers. On-demand films are considered as a space of collaboration and self-representation, that allows to reflect on the potential of fiction, artifice, and montage to render material desires, aspirations, and ideas of the future. Alex Vailati is Associate Professor of Anthropology and Museology at the Federal University of Pernambuco, Brazil. An anthropologist and documentarist, he is the coordinator of the universitys Visual Anthropology Laboratory (LAV). He is the author of Migration of Rich Immigrants: Gender, Ethnicity and Class (2016, with Carmel Rial). Gabriela Zamorano Villarreal is a Professor and researcher at the Centro de Estudios Antropologicos in El Colegio de Michoacan, Mexico. She is the author of Indigenous Media and Political Imaginaries in Contemporary Bolivia (2017). Her current research includes work on popular photographic and audiovisual archives in Michoacan, Mexico and La Paz, Bolivia
001440340 650_0 $$aVisual anthropology.
001440340 650_0 $$aVideo-on-demand.
001440340 650_6 $$aAnthropologie visuelle.
001440340 650_6 $$aVidéo à la demande.
001440340 655_0 $$aElectronic books.
001440340 7001_ $$aVailati, Alex,$$eeditor.
001440340 7001_ $$aZamorano, Gabriela,$$eeditor.
001440340 77608 $$iPrint version:$$z9783030789107
001440340 852__ $$bebk
001440340 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-78911-4$$zOnline Access$$91397441.1
001440340 909CO $$ooai:library.usi.edu:1440340$$pGLOBAL_SET
001440340 980__ $$aBIB
001440340 980__ $$aEBOOK
001440340 982__ $$aEbook
001440340 983__ $$aOnline
001440340 994__ $$a92$$bISE