Choreographing agonism : politics, strategies and performances of the left / Goran Petrović-Lotin.
2021
PN2049
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Title
Choreographing agonism : politics, strategies and performances of the left / Goran Petrović-Lotin.
Author
ISBN
9783030794460 (electronic bk.)
3030794466 (electronic bk.)
3030794458
9783030794453
3030794466 (electronic bk.)
3030794458
9783030794453
Published
Cham, Switzerland : Palgrave Macmillan, 2021.
Language
English
Description
1 online resource (1 volume)
Item Number
10.1007/978-3-030-79446-0 doi
Call Number
PN2049
Dewey Decimal Classification
792
Summary
In Choreographing Agonism, author Goran Petrovic Lotina offers new insight into the connections between politics and performance. Exploring the political and philosophical roots of a number of recent leftist civil movements, Petrovic Lotina forcefully argues for a re-imagining of artistic performance as an instrument of democracy capable of contesting a dominant politics. Inspired by post-Marxist theories of discourse theory, hegemony, conflict, and pluralism, and using tension as a guiding philosophical, political, and artistic force, the book expands the politico-philosophical debate on theories of performance. It offers both scholars and practitioners of performance a thought-provoking analysis of the ways in which artistic performance can be viewed politically as agonistic choreo-political practice, a powerful strategy for mobilising alternative ways of living together and invigorating democracy. Choreographing Agonism makes a bold and innovative contribution to the discussion of political and philosophical thought in the field of Performance Studies. Born in Yugoslavia, Goran Petrovic Lotina is an author, scholar, and curator who has published widely on the interplay between art, politics, and theory. Prior to obtaining his PhD at the University of Ghent, he studied at Sciences Po Paris and at the University of Belgrade. Currently, he is Research Fellow at the University of Warwick and Lecturer at Sciences Po Paris. Petrovic Lotina is Founder and Co-curator of Fogo Island Film, an international film program held in Newfoundland, Canada, and is a member of l'Association internationale des critiques d'art.
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Includes bibliographical references and index.
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Table of Contents
Chapter 1. Introduction
Chapter 2. Constructing the people
Chapter 3. The choreography of articulation
Chapter 4. Political strategies and Performance Studies
Chapter 5. Discourse theory and artistic performances
Chapter 6. Tension: a guiding force in performance, philosophy, and politics
Chapter 7. Drama: an encounter between the performance and the audience
Chapter 8. Affects and opinion formation
Chapter 9. Identifications
Bibliography
Index.
Chapter 2. Constructing the people
Chapter 3. The choreography of articulation
Chapter 4. Political strategies and Performance Studies
Chapter 5. Discourse theory and artistic performances
Chapter 6. Tension: a guiding force in performance, philosophy, and politics
Chapter 7. Drama: an encounter between the performance and the audience
Chapter 8. Affects and opinion formation
Chapter 9. Identifications
Bibliography
Index.