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001440599 001__ 1440599
001440599 003__ OCoLC
001440599 005__ 20230309004614.0
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001440599 019__ $$a1281136350$$a1281241270$$a1281967076
001440599 020__ $$a9783030676193$$q(electronic bk.)
001440599 020__ $$a3030676196$$q(electronic bk.)
001440599 020__ $$z9783030676186
001440599 020__ $$z3030676188
001440599 0247_ $$a10.1007/978-3-030-67619-3$$2doi
001440599 035__ $$aSP(OCoLC)1280604519
001440599 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dEBLCP$$dN$T$$dOCLCF$$dUKMGB$$dOCLCO$$dOCLCA$$dOCLCQ$$dOCL$$dOCLCO$$dOCLCQ$$dOCLCA$$dUKAHL$$dOCLCQ
001440599 049__ $$aISEA
001440599 050_4 $$aML3918.R63$$bH63 2021
001440599 08204 $$a306.4/8426$$223
001440599 1001_ $$aHoad, Catherine,$$eauthor.
001440599 24510 $$aHeavy metal music, texts, and nationhood :$$b(re)sounding whiteness /$$cCatherine Hoad.
001440599 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2021]
001440599 264_4 $$c©2021
001440599 300__ $$a1 online resource
001440599 336__ $$atext$$btxt$$2rdacontent
001440599 337__ $$acomputer$$bc$$2rdamedia
001440599 338__ $$aonline resource$$bcr$$2rdacarrier
001440599 4901_ $$aLeisure studies in a global era
001440599 500__ $$aIncludes index.
001440599 5050_ $$a1. Introduction -- 2. Sound of White Noise -- 3. Norwegian black and Viking metal scenes -- 4. Territories of Whiteness in Afrikaans metal -- 5. Normophilic Whiteness and Banal Nationalism in Australian extreme metal -- 6.(Re)sounding, (re)sealing: Translocal Terrains of Whiteness across Norway, South Africa and Australia -- 7. Conclusion: Beyond the Pale.
001440599 506__ $$aAccess limited to authorized users.
001440599 520__ $$aThis book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of belonging which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism. Catherine Hoad is Senior Lecturer in Critical Popular Music Studies, Massey University, Wellington, New Zealand.
001440599 588__ $$aDescription based on print version record.
001440599 650_0 $$aHeavy metal (Music)$$xSocial aspects.
001440599 650_0 $$aWhite people$$xRace identity.
001440599 650_0 $$aMen, White$$xSocial life and customs.
001440599 650_0 $$aMusic and race.
001440599 650_6 $$aHeavy metal (Musique)$$xAspect social.
001440599 650_6 $$aPersonnes blanches$$xMœurs et coutumes.
001440599 650_6 $$aMusique et race.
001440599 655_0 $$aElectronic books.
001440599 77608 $$iPrint version:$$aHoad, Catherine.$$tHeavy metal music, texts, and nationhood.$$dBasingstoke : Palgrave Macmillan, 2021$$z9783030676186$$w(OCoLC)1272885068
001440599 830_0 $$aLeisure studies in a global era.
001440599 852__ $$bebk
001440599 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-67619-3$$zOnline Access$$91397441.1
001440599 909CO $$ooai:library.usi.edu:1440599$$pGLOBAL_SET
001440599 980__ $$aBIB
001440599 980__ $$aEBOOK
001440599 982__ $$aEbook
001440599 983__ $$aOnline
001440599 994__ $$a92$$bISE