Love and revolution in the twentieth-century colonial and postcolonial world : perspectives from South Asia and Southern Africa / G. Arunima, Patricia Hayes, Premesh Lalu, editors.
2021
HM876 .L68 2021
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Title
Love and revolution in the twentieth-century colonial and postcolonial world : perspectives from South Asia and Southern Africa / G. Arunima, Patricia Hayes, Premesh Lalu, editors.
ISBN
3030795802 (electronic book)
9783030795801 (electronic bk.)
9783030795795
3030795799
9783030795801 (electronic bk.)
9783030795795
3030795799
Published
Cham, Switzerland : Palgrave Macmillan, an imprint of Springer, [2021]
Copyright
©2021
Language
English
Description
1 online resource : illustrations
Item Number
10.1007/978-3-030-79580-1 doi
Call Number
HM876 .L68 2021
Dewey Decimal Classification
303.640954
Summary
This book addresses emancipatory narratives from two main sites in the colonial world, the Indian and southern African subcontinents. Exploring how love and revolution interrelate, this volume is unique in drawing on theories of affect to interrogate histories of the political, thus linking love and revolution together. The chapters engage with the affinities of those who live with their colonial pasts: crises of expectations, colonial national convulsions, memories of anti-colonial solidarity, even shared radical libraries. It calls attention to the specific and singular way in which notions of love of the world were born in a precise moment of anti-colonial struggle: a love of the world for which one would offer ones life, and for which there had been little precedent in the history of earlier revolutions. It thus offers new ways of understanding the shifts in global traditions of emancipation over two centuries. G. Arunima is Professor in the Centre for Womens Studies at Jawaharlal Nehru University, India. She has researched and published on both historical and modern contexts in India, focusing particularly on cultural, visual and material texts, and rethinking the politics of the contemporary. Patricia Hayes is a National Research Foundation and South African Research Chair of Visual History and Theory at the Centre for Humanities Research at the University of the Western Cape, South Africa. She has published extensively on history and colonial and documentary photography in southern Africa. Premesh Lalu is Convenor of the Communicating the Humanities project at the Centre for Humanities Research at the University of the Western Cape, South Africa. As one of the founding directors of the Centre for Humanities Research, he has raised the profile of the humanities both in the university and nationally. His publications address colonial archives, violence, and more recently, aesthetics and the technical becoming of the human.
Bibliography, etc. Note
Includes bibliographical references and index.
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Source of Description
Online resource; title from digital title page (viewed on November 04, 2021).
Series
Palgrave studies in the history of social movements.
Available in Other Form
Print version: 9783030795795
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Table of Contents
Chapter 1. Love and Revolution: An Introduction; G. Arunima, Patricia Hayes and Premesh Lalu
Part I. Intensities: Writing / Aesthetic / Cinematic
Chapter 2. "Everything built on moonshine" : Love and Revolution in Iqbals Islamic Modernist Poetry and Faizs Socialist Verse; Javed Majeed
Chapter 3. Sadness, as such ... ; Premesh Lalu
Chapter 4. Mapiko: Fragments of Revolutionary Time; Paolo Israel
Part II. Depletions: Family / Party / Intimacy
Chapter 5. Caste, Intimacy and Family: The Experiences of Slave Castes in Kerala; Sanal Mohan
Chapter 6. Making and Challenging a Biographic Order: National Longing, Political Belonging and the Politics of Affect in a South African Liberation Movement; Ciraj Rassool
Chapter 7. The Family Romance of the South African Revolution; Jon Soske
Chapter 8: The Romantic Manifesto: Gender and Outlaw Emotions in the Naxalbari Movement; Mallarika Sinha Roy
Part III. Love / Sacrifice / Law
Chapter 9. Bhagat Singh: Sacrifice, Suffering and the Tradition of the Oppressed; Simona Sawhney
Chapter 10. "Love is Stronger in Prison than Outside": The Intimate Politics of Independence in the Congo; Pedro Monaville
Chapter 11. Political Funerals in South Africa: Photography, History, and the Refusal of Light (1960s80s); Patricia Hayes
Chapter 12. The Love Commandment: Affect in the Time of Dissent and Democracy; G. Arunima.
Part I. Intensities: Writing / Aesthetic / Cinematic
Chapter 2. "Everything built on moonshine" : Love and Revolution in Iqbals Islamic Modernist Poetry and Faizs Socialist Verse; Javed Majeed
Chapter 3. Sadness, as such ... ; Premesh Lalu
Chapter 4. Mapiko: Fragments of Revolutionary Time; Paolo Israel
Part II. Depletions: Family / Party / Intimacy
Chapter 5. Caste, Intimacy and Family: The Experiences of Slave Castes in Kerala; Sanal Mohan
Chapter 6. Making and Challenging a Biographic Order: National Longing, Political Belonging and the Politics of Affect in a South African Liberation Movement; Ciraj Rassool
Chapter 7. The Family Romance of the South African Revolution; Jon Soske
Chapter 8: The Romantic Manifesto: Gender and Outlaw Emotions in the Naxalbari Movement; Mallarika Sinha Roy
Part III. Love / Sacrifice / Law
Chapter 9. Bhagat Singh: Sacrifice, Suffering and the Tradition of the Oppressed; Simona Sawhney
Chapter 10. "Love is Stronger in Prison than Outside": The Intimate Politics of Independence in the Congo; Pedro Monaville
Chapter 11. Political Funerals in South Africa: Photography, History, and the Refusal of Light (1960s80s); Patricia Hayes
Chapter 12. The Love Commandment: Affect in the Time of Dissent and Democracy; G. Arunima.