001440886 000__ 03663cam\a2200553\a\4500 001440886 001__ 1440886 001440886 003__ OCoLC 001440886 005__ 20230309004707.0 001440886 006__ m\\\\\o\\d\\\\\\\\ 001440886 007__ cr\un\nnnunnun 001440886 008__ 211114s2021\\\\sz\\\\\\ob\\\\001\0\eng\d 001440886 019__ $$a1285162173$$a1285166684$$a1285254034$$a1285278355$$a1285782399 001440886 020__ $$a9783030861261$$q(electronic bk.) 001440886 020__ $$a3030861260$$q(electronic bk.) 001440886 020__ $$z3030861252 001440886 020__ $$z9783030861254 001440886 0247_ $$a10.1007/978-3-030-86126-1$$2doi 001440886 035__ $$aSP(OCoLC)1285239178 001440886 040__ $$aYDX$$beng$$epn$$cYDX$$dGW5XE$$dEBLCP$$dN$T$$dOCLCF$$dOCLCO$$dUKMGB$$dOCLCO$$dOCLCQ$$dUKAHL$$dOCLCQ 001440886 049__ $$aISEA 001440886 050_4 $$aPR4699.F5 001440886 08204 $$a821.8$$223 001440886 1001_ $$aRichardson, LeeAnne M. 001440886 24514 $$aThe forms of Michael Field /$$cLeeAnne M. Richardson. 001440886 260__ $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2021. 001440886 300__ $$a1 online resource 001440886 336__ $$atext$$btxt$$2rdacontent 001440886 336__ $$astill image$$bsti$$2rdacontent 001440886 337__ $$acomputer$$bc$$2rdamedia 001440886 338__ $$aonline resource$$bcr$$2rdacarrier 001440886 4901_ $$aPalgrave studies in Nineteenth-century writing and culture 001440886 504__ $$aIncludes bibliographical references and index. 001440886 5050_ $$a1. Introduction -- 2. Forming Michael Field -- 3. Verse Tragedy/Closet Drama: Callirrhoe (1884) -- 4. Songs: Underneath the Bough (1893/1898) -- 5. The Masque: Noontide Branches (1899) -- 6. Sonnets and Sonnet Sequences: Wild Honey from Various Thyme (1908) -- 7. Devotional Poetry: Poems of Adoration (1912) -- 8. Devotional Poetry II: Mystic Trees (1913) -- 9. Conclusion. 001440886 506__ $$aAccess limited to authorized users. 001440886 520__ $$aMichael Field, the poetic identity created by Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913), ceaselessly experimented with forms of identity and forms of literary expression. The Forms of Michael Field argues that their modes of self-creation are analogous to their poetic creations, and that exploring them in tandem is the best way to understand Michael Fields cultural and literary importance. Michael Field deploys a different form in each volume of their lyric poetry: translations of Sappho, ekphrasis, songs, sonnets, and devotional verse. They also appropriate and revise the dramatic genres of verse tragedy and the masque. Each of these experiments in form enable Michael Field to differently address the cultural questions that beset late-Victorian women writers. Drawing on the insights of new lyric studies and new formalism, this book analyzes Michael Fields continual quest for the aesthetic forms that best express their evolving ideas about identity and sexuality, gender and sacrifice, lyric voice and authority. LeeAnne M. Richardson is Associate Professor of English at Georgia State University in Atlanta, Georgia, USA. 001440886 588__ $$aDescription based on print version record. 001440886 60010 $$aField, Michael$$xCriticism and interpretation. 001440886 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001440886 655_0 $$aElectronic books. 001440886 77608 $$iPrint version:$$z9783030861261 001440886 77608 $$iPrint version:$$z3030861252$$z9783030861254$$w(OCoLC)1262966254 001440886 77608 $$iPrint version:$$aRICHARDSON, LEE ANNE M.$$tFORMS OF MICHAEL FIELD.$$d[S.l.] : PALGRAVE MACMILLAN, 2021$$z3030861252$$w(OCoLC)1262966254 001440886 830_0 $$aPalgrave studies in nineteenth-century writing and culture. 001440886 852__ $$bebk 001440886 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-86126-1$$zOnline Access$$91397441.1 001440886 909CO $$ooai:library.usi.edu:1440886$$pGLOBAL_SET 001440886 980__ $$aBIB 001440886 980__ $$aEBOOK 001440886 982__ $$aEbook 001440886 983__ $$aOnline 001440886 994__ $$a92$$bISE