TY  - GEN
N2  - This book analyzes the cinematic superhero as social practice. The studys critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Supermans restorative nostalgia, and read MCUs overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolans Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Primes The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon. Joseph Zornado is Professor of English at Rhode Island College, USA, and author of numerous essays and books, including Disney and the Dialectic of Desire: Fantasy as Social Practice (Palgrave MacMillan, 2017) and Critical Thinking: Developing the Intellectual Tools for Social Justice (2019). Sara Reilly is Adjunct Instructor and Academic Advisor at Rhode Island College, USA. She teaches first-year writing and college success.
DO  - 10.1007/978-3-030-85458-4
DO  - doi
AB  - This book analyzes the cinematic superhero as social practice. The studys critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Supermans restorative nostalgia, and read MCUs overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolans Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Primes The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon. Joseph Zornado is Professor of English at Rhode Island College, USA, and author of numerous essays and books, including Disney and the Dialectic of Desire: Fantasy as Social Practice (Palgrave MacMillan, 2017) and Critical Thinking: Developing the Intellectual Tools for Social Justice (2019). Sara Reilly is Adjunct Instructor and Academic Advisor at Rhode Island College, USA. She teaches first-year writing and college success.
T1  - The cinematic superhero as social practice /
AU  - Zornado, Joseph L.,
AU  - Reilly, Sara,
CN  - PN1992.63
ID  - 1440935
KW  - Superhero films
KW  - Superheroes
KW  - Films de superhéros
KW  - Superhéros
SN  - 9783030854584
SN  - 3030854582
TI  - The cinematic superhero as social practice /
LK  - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-85458-4
UR  - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-85458-4
ER  -