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001440935 001__ 1440935
001440935 003__ OCoLC
001440935 005__ 20230309004710.0
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001440935 019__ $$a1285122493$$a1285150458$$a1285163111$$a1285171311
001440935 020__ $$a9783030854584$$q(electronic bk.)
001440935 020__ $$a3030854582$$q(electronic bk.)
001440935 020__ $$z9783030854577
001440935 020__ $$z3030854574
001440935 0247_ $$a10.1007/978-3-030-85458-4$$2doi
001440935 035__ $$aSP(OCoLC)1285395104
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001440935 049__ $$aISEA
001440935 050_4 $$aPN1992.63
001440935 08204 $$a791.43652$$223
001440935 1001_ $$aZornado, Joseph L.,$$eauthor.
001440935 24514 $$aThe cinematic superhero as social practice /$$cJoseph Zornado, Sara Reilly.
001440935 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021]
001440935 264_4 $$c©2021
001440935 300__ $$a1 online resource (vii, 215 pages)
001440935 336__ $$atext$$btxt$$2rdacontent
001440935 337__ $$acomputer$$bc$$2rdamedia
001440935 338__ $$aonline resource$$bcr$$2rdacarrier
001440935 504__ $$aIncludes bibliographical references and index.
001440935 5050_ $$a1. Chapter One:- Introduction: A Plague of Superheroe -- Chapter Two:- The Superhero with a Thousand Faces -- Chapter Three:- Fantasy and the Working-Class Superhero -- Chapter Four:- Fantasies of the Anthropocene -- Chapter Five:- The Cinematic Superhero as Other -- Chapter Six:- Superhero Fantasy in Crisis -- Chapter Seven:- Conclusion: Destroy All Monsters!
001440935 506__ $$aAccess limited to authorized users.
001440935 520__ $$aThis book analyzes the cinematic superhero as social practice. The studys critical context brings together psychoanalysis and restorative and reflective nostalgia as a way of understanding the ideological function of superhero fantasy. It explores the origins of cinematic superhero fantasy from antecedents in myth and religion, to twentieth-century comic book, to the cinematic breakthrough with Superman (1978). The authors then focus on Spider-Man as reflective response to Supermans restorative nostalgia, and read MCUs overarching narrative from Iron Man to End Game in terms of the concurrent social, political, and environmental conditions as a world in crisis. Zornado and Reilly take up Wonder Woman and Black Panther as self-conscious attempts to reflect on gender and race in restorative superhero fantasy, and explore Christopher Nolans Dark Knight trilogy as a meditation on the need for authoritarian fascism. The book concludes with Logan, Wonder Woman 1984, and Amazon Primes The Boys as distinctly reflective fantasy narratives critical of the superhero fantasy phenomenon. Joseph Zornado is Professor of English at Rhode Island College, USA, and author of numerous essays and books, including Disney and the Dialectic of Desire: Fantasy as Social Practice (Palgrave MacMillan, 2017) and Critical Thinking: Developing the Intellectual Tools for Social Justice (2019). Sara Reilly is Adjunct Instructor and Academic Advisor at Rhode Island College, USA. She teaches first-year writing and college success.
001440935 588__ $$aOnline resource; title from PDF title page (EBSCOhost platform, viewed April 15, 2022).
001440935 650_0 $$aSuperhero films$$xHistory and criticism.
001440935 650_0 $$aSuperheroes$$xSocial aspects.
001440935 650_6 $$aFilms de superhéros$$xHistoire et critique.
001440935 650_6 $$aSuperhéros$$xAspect social.
001440935 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001440935 655_0 $$aElectronic books.
001440935 7001_ $$aReilly, Sara,$$eauthor.
001440935 77608 $$iPrint version:$$aZornado, Joseph L.$$tCinematic superhero as social practice.$$dCham, Switzerland : Palgrave Macmillan, [2021]$$z9783030854577$$w(OCoLC)1272877441
001440935 852__ $$bebk
001440935 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-85458-4$$zOnline Access$$91397441.1
001440935 909CO $$ooai:library.usi.edu:1440935$$pGLOBAL_SET
001440935 980__ $$aBIB
001440935 980__ $$aEBOOK
001440935 982__ $$aEbook
001440935 983__ $$aOnline
001440935 994__ $$a92$$bISE