001441107 000__ 04766cam\a2200589\i\4500 001441107 001__ 1441107 001441107 003__ OCoLC 001441107 005__ 20230309004720.0 001441107 006__ m\\\\\o\\d\\\\\\\\ 001441107 007__ cr\un\nnnunnun 001441107 008__ 211201t20212021sz\a\\\\ob\\\\001\0\eng\d 001441107 019__ $$a1286919363$$a1286958346$$a1287050541$$a1287077164 001441107 020__ $$a9783030802264$$q(electronic bk.) 001441107 020__ $$a3030802264$$q(electronic bk.) 001441107 020__ $$z9783030802257 001441107 020__ $$z3030802256 001441107 0247_ $$a10.1007/978-3-030-80226-4$$2doi 001441107 035__ $$aSP(OCoLC)1286791353 001441107 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dUKMGB$$dN$T$$dOCLCO$$dOCLCQ$$dTFW$$dOCLCO$$dUKAHL$$dOCLCQ 001441107 049__ $$aISEA 001441107 050_4 $$aPN1590.W64$$bS56 2021 001441107 08204 $$a792.082$$223 001441107 1001_ $$aSimic, Lena,$$eauthor. 001441107 24510 $$aMaternal performance :$$bfeminist relations /$$cLena Simic, Emily Underwood-Lee. 001441107 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021] 001441107 264_4 $$c©2021 001441107 300__ $$a1 online resource :$$billustrations (some color) 001441107 336__ $$atext$$btxt$$2rdacontent 001441107 337__ $$acomputer$$bc$$2rdamedia 001441107 338__ $$aonline resource$$bcr$$2rdacarrier 001441107 4901_ $$aContemporary performance interActions 001441107 504__ $$aIncludes bibliographical references and index. 001441107 5050_ $$aChapter 1. Beginnings (1 month) -- Chapter 2. Loss (2 months) -- Chapter 3. Pregnancy (3 months) -- Chapter 4. Birth (4 months) -- Chapter 5. Aftermath (5 months) -- Chapter 6. Maintenance (6 months) -- Chapter 7. Generations (7 months) -- Chapter 8. Futures (8 months) -- Chapter 9. New Beginnings (9 months). 001441107 506__ $$aAccess limited to authorized users. 001441107 520__ $$aMotherhood is lived in the moment and in all of time state Lena Simic and Emily Underwood-Lee in their dazzling book on maternal performance that defies categorisation. Putting into conversation the complex histories of feminist theorising about motherhood, and an array of contemporary maternal performance, this extraordinary work is inventive, personal, strident, scholarly, political and profound in equal measure, and quietly moving in unexpected ways. -Lisa Baraitser, Professor of Psychosocial Theory, Department of Psychosocial Studies, Birkbeck, University of London What a joy to read a text that so fully embodies the idea of maternal performance, not only through extensive scholarly inquiry but also through conversational, relational, and epistolary engagement between the authors. Lena Simic and Emily Underwood-Lee offer an important model of feminist maternal scholarship alongside nuanced understandings of what maternal performance can entail. - - Rachel Epp Buller, Associate Professor in Visual Arts and Design, Bethel College, US Maternal Performance: Feminist Relations bridges the fields of performance, feminism, maternal studies, and ethics. It loosely follows the life course with chapters on maternal loss, pregnancy, birth, aftermath, maintenance, generations, and futures. Performance and the maternal have an affinity as both are lived through the body of the mother/artist, are played out in real time, and are concerned with creating ethical relationships with an other be that other the child, the theatrical audience, or our wider communities. The authors contend that maternal performance takes the largely hidden, private and domestic work of mothering and makes it worthy of consideration and contemplation within the public sphere. Lena Simic is a Reader in Drama at Edge Hill University. Her research areas include contemporary performance practice, live art, art activism, feminist theatre and performance, and critical arts practice in relation to climate crisis, ecology and environment. Emily Underwood-Lee is Associate Professor in Performance Studies at the University South Wales. Her work focuses on amplifying little heard personal stories. She has a particular interest in the performance of the maternal, gender, health/illness and heritage. 001441107 588__ $$aOnline resource; title from PDF title page (EBSCOhost platform, viewed April 21, 2022). 001441107 650_0 $$aFeminist theater. 001441107 650_0 $$aWomen in the performing arts. 001441107 650_0 $$aMotherhood. 001441107 650_6 $$aThéâtre féministe. 001441107 650_6 $$aFemmes dans les arts du spectacle. 001441107 650_6 $$aMaternité. 001441107 655_0 $$aElectronic books. 001441107 7001_ $$aUnderwood-Lee, Emily,$$eauthor. 001441107 77608 $$iPrint version:$$aSimic, Lena.$$tMaternal performance.$$dCham : Palgrave Macmillan, [2021]$$z3030802256$$w(OCoLC)1255173198 001441107 830_0 $$aContemporary performance interactions. 001441107 852__ $$bebk 001441107 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-80226-4$$zOnline Access$$91397441.1 001441107 909CO $$ooai:library.usi.edu:1441107$$pGLOBAL_SET 001441107 980__ $$aBIB 001441107 980__ $$aEBOOK 001441107 982__ $$aEbook 001441107 983__ $$aOnline 001441107 994__ $$a92$$bISE