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Preface (Pamela K. Gilbert)
1 How to Do Things with Surfaces: The Politics and Poetics of Victorian surfaces (Sibylle Baumbach and Ulla Ratheiser)
2 The Semantics of Surfaces: Victorian Panoramas and the Panoramic Gaze (Heidi Liedke)
3 Twinship and Tactile Anxieties in Wilkie Collinss Poor Miss Finch (1872) (Wieland Schwanebeck)
4 Touching Skins, Spreading Stains: Contesting, Affirming and Penetrating Surfaces in the Work of Thomas Hardy (Felicitas Meifert-Meinhard)
5 Dickens Dirty Children (Franziska Quabeck)
6 Gothic Cloth: Textures of the Unknown (Sophia Jochem and Cordula Lemke)
7 Imperial Hauntings in the Durbar Room: Spurious Materiality in Neo-Victorian Biopics (Jan Rupp)
8. Red-hot applications on their vile skins. Ironic Transparency in Joseph Conrads The Secret Agent (Eike Kronshage)
9 Making Skin Legible: Surface and Symptomatic Readings of Victorian Culture (Monika Pietzrak-Franger)
10 Afterword (Kate Flint).

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