TY  - GEN
N2  - If films drawing on Middle East tropes often highlight white Westerners, figures such as Sinbad and the Thief of Bagdad embody a counter-tradition of protagonists, derived from Islamic folklore and history, who are portrayed as Other to Western audiences. In Muslim Heroes on Screen, Daniel OBrien explores the depiction of these characters in Euro-American cinema from the silent era to the present day. Far from being mere racial masquerade, these screen portrayals are more complex and nuanced than is generally allowed, not least in terms of the shifting concepts and assumptions that inform their Muslim identity. Using films ranging from Douglas Fairbanks The Thief of Bagdad, The 7th Voyage of Sinbad, El Cid, Kingdom of Heaven and The Message to The Wind and the Lion, OBrien considers how the representational strategies of Western filmmakers may transcend such Muslim stereotypes as fanatic antagonists or passive victims. These figures possess a cultural significance which cannot be fully appreciated by Euro-American audiences without reference to their distinction as Muslim heroes and the implications and resonances of an Islamicized protagonist. Daniel OBrien is a writer and part-time lecturer in film studies, and has worked for both the Department of Film and the Faculty of Medicine at the University of Southampton, UK. His previous books include Classical Masculinity and the Spectacular Body on Film (Palgrave, 2014) and Black Masculinity on Film (Palgrave, 2017).
DO  - 10.1007/978-3-030-74142-6
DO  - doi
AB  - If films drawing on Middle East tropes often highlight white Westerners, figures such as Sinbad and the Thief of Bagdad embody a counter-tradition of protagonists, derived from Islamic folklore and history, who are portrayed as Other to Western audiences. In Muslim Heroes on Screen, Daniel OBrien explores the depiction of these characters in Euro-American cinema from the silent era to the present day. Far from being mere racial masquerade, these screen portrayals are more complex and nuanced than is generally allowed, not least in terms of the shifting concepts and assumptions that inform their Muslim identity. Using films ranging from Douglas Fairbanks The Thief of Bagdad, The 7th Voyage of Sinbad, El Cid, Kingdom of Heaven and The Message to The Wind and the Lion, OBrien considers how the representational strategies of Western filmmakers may transcend such Muslim stereotypes as fanatic antagonists or passive victims. These figures possess a cultural significance which cannot be fully appreciated by Euro-American audiences without reference to their distinction as Muslim heroes and the implications and resonances of an Islamicized protagonist. Daniel OBrien is a writer and part-time lecturer in film studies, and has worked for both the Department of Film and the Faculty of Medicine at the University of Southampton, UK. His previous books include Classical Masculinity and the Spectacular Body on Film (Palgrave, 2014) and Black Masculinity on Film (Palgrave, 2017).
T1  - Muslim heroes on screen /
AU  - O'Brien, Daniel,
CN  - PN1993.5.U6
ID  - 1441224
KW  - Muslims in motion pictures.
KW  - Motion pictures
KW  - Musulmans au cinéma.
KW  - Cinéma
SN  - 9783030741426
SN  - 3030741427
TI  - Muslim heroes on screen /
LK  - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-74142-6
UR  - https://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-74142-6
ER  -