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001441265 001__ 1441265
001441265 003__ OCoLC
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001441265 019__ $$a1287956309$$a1287993172$$a1288025836$$a1288213835$$a1289268421$$a1289371830
001441265 020__ $$a9783030710835$$q(electronic bk.)
001441265 020__ $$a3030710831$$q(electronic bk.)
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001441265 0247_ $$a10.1007/978-3-030-71083-5$$2doi
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001441265 08204 $$a306.4846$$223
001441265 24500 $$aCultural memory and popular dance :$$bdancing to remember, dancing to forget /$$cClare Parfitt, editor.
001441265 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021]
001441265 264_4 $$c©2021
001441265 300__ $$a1 online resource (xviii, 306 pages) :$$billustrations
001441265 336__ $$atext$$btxt$$2rdacontent
001441265 336__ $$astill image$$bsti$$2rdacontent
001441265 337__ $$acomputer$$bc$$2rdamedia
001441265 338__ $$aonline resource$$bcr$$2rdacarrier
001441265 4901_ $$aPalgrave Macmillan memory studies
001441265 504__ $$aIncludes bibliographical references and index.
001441265 5050_ $$aIntroduction: Dancing with memory -- Part I. Pedagogic invocations of Afro-diasporic memory. Tap dance and cultural memory : shuffling with my dancestors -- "Salsa con Afro" : remembering and reenacting Afro-Cuban roots in the global Cuban and Latin dance communities -- Between creolisation and kinaesthetic transnationalism : Zumba fitness as mimetic parody and ritual re-enactment -- Part II. Manipulated memory and reclamation.  Parading the past, taming the new : from ragtime to rock and roll -- Queer tango - bent history? The late-modern uses and abuses of historical imagery showing men dancing tango with each other -- Bomba Cimarrona : hip interactions in the Afro-Ecuadorian Bomba del Chota as a decolonial means to remember -- Youthful bodies as mnemonic artifacts : traversing the cultural terrain from traditional to popular dances in post-independent Ghana -- Part III. National memories and amnesias. Csángó space and time in the Hungarian Táncház revival -- National identity in Philippine folk dance : changing focus from the Cariñosa to tinkling -- Archive and memory in Cuban dances : the performance of memory and the dancing body as Archive in the making -- Courting disasters ("I don't remember anyway") : the forgetful dancer and the body politic in The sound of music (1965) -- Part IV. Im/mediate memories. Feeling with, moving toward : empathetic attunement in dance reconstruction methodology -- Mother tongue : dance and memory, an autobiographical excavation -- Filmed, felt, and false rhythms : dance videos and an embodying "home" in post-migration -- The transmission of nostalgia and (be)longing in popular screendance, or recollecting Damien Chazelle's La la land -- Part V. Conclusions. Some dance to remember, some dance to forget.
001441265 506__ $$aAccess limited to authorized users.
001441265 520__ $$aThis book focuses on the myriad ways that people collectively remember or forget shared pasts through popular dance. In dance classes, nightclubs, family celebrations, tourist performances, on television, film, music video and the internet, cultural memories are shared and transformed by dancing bodies adapting yesterdays steps to todays concerns. The book gathers emerging and seasoned scholarly voices from a wide range of geographical and disciplinary perspectives to discuss cultural remembering and forgetting in diverse popular dance contexts. The contributors ask: how are Afro-diasporic memories invoked in popular dance classes? How are popular dance genealogies manipulated and reclaimed? What is at stake for the nation in the nationalizing of folk and popular dances? And how does mediated dancing transmit memory as feelings or affects? The book reveals popular dance to be vital to cultural processes of remembering and forgetting, allowing participants to pivot between alternative pasts, presents and futures. Clare Parfitt is an interdisciplinary dance scholar and PhD Supervisor at the University of Chichester, UK. She is Chair of PoP Moves, an international network for popular dance research. From 20142016, she was Principal Investigator for the AHRC Leadership Fellowship project Dancing with Memory, which led to this edited collection.
001441265 588__ $$aDescription based on print version record.
001441265 650_0 $$aDance$$xSocial aspects.
001441265 650_0 $$aCollective memory.
001441265 650_6 $$aDanse$$xAspect social.
001441265 650_6 $$aMémoire collective.
001441265 655_0 $$aElectronic books.
001441265 7001_ $$aParfitt, Clare,$$eeditor.
001441265 77608 $$iPrint version:$$tCultural memory and popular dance.$$dCham, Switzerland : Palgrave Macmillan, [2021]$$z9783030710828$$w(OCoLC)1264401900
001441265 830_0 $$aPalgrave Macmillan memory studies.
001441265 852__ $$bebk
001441265 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-71083-5$$zOnline Access$$91397441.1
001441265 909CO $$ooai:library.usi.edu:1441265$$pGLOBAL_SET
001441265 980__ $$aBIB
001441265 980__ $$aEBOOK
001441265 982__ $$aEbook
001441265 983__ $$aOnline
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