001441441 000__ 03150cam\a2200541Ii\4500
001441441 001__ 1441441
001441441 003__ OCoLC
001441441 005__ 20230309004739.0
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001441441 007__ cr\un\nnnunnun
001441441 008__ 220104s2021\\\\si\\\\\\ob\\\\001\0\eng\d
001441441 019__ $$a1290839554$$a1291316694$$a1292364331
001441441 020__ $$a9789811671784$$q(electronic bk.)
001441441 020__ $$a9811671788$$q(electronic bk.)
001441441 020__ $$z981167177X
001441441 020__ $$z9789811671777
001441441 0247_ $$a10.1007/978-981-16-7178-4$$2doi
001441441 035__ $$aSP(OCoLC)1290813948
001441441 040__ $$aYDX$$beng$$cYDX$$dN$T$$dGW5XE$$dEBLCP$$dOCLCO$$dHTM$$dUKMGB$$dOCLCF$$dOCLCO$$dOKX$$dUKAHL$$dOCLCQ
001441441 049__ $$aISEA
001441441 050_4 $$aPN2041.E26
001441441 08204 $$a792.025$$223
001441441 1001_ $$aBeer, Tanja,$$eauthor.
001441441 24510 $$aEcoscenography :$$ban introduction to ecological design for performance /$$cTanja Beer.
001441441 264_1 $$aSingapore :$$bPalgrave Macmillan,$$c2021.
001441441 300__ $$a1 online resource
001441441 336__ $$atext$$btxt$$2rdacontent
001441441 337__ $$acomputer$$bc$$2rdamedia
001441441 338__ $$aonline resource$$bcr$$2rdacarrier
001441441 504__ $$aIncludes bibliographical references and index.
001441441 5050_ $$aIntroduction -- Chapter 1: Ecological Thinking -- Chapter 2: Ecological Practice -- Chapter 3: Ecoscenography in Three Acts -- Chapter 4: Two case studies in Ecoscenography -- Conclusion.
001441441 506__ $$aAccess limited to authorized users.
001441441 520__ $$aThis ground-breaking book is the first to bring an ecological focus to theatre and performance design, both in scholarship and in practice. Ecoscenography weaves environmental philosophies and practices across genres and fields to provide a captivating vision for the future of sustainable theatre production. The book forefronts leading designers that are driving this emerging field into the mainstream through their relational and reciprocal engagement with place, audiences, materials, and processes. Beyond its radical philosophy and framework, Ecoscenography makes a compelling case for pursuing an ecological ethic in theatre and performance design, not only as a moral imperative, but for the extraordinary possibilities that it offers for more-than-human engagement. Based on her personal insights as a leading ecological researcher and practitioner, Beer offers a rich resource for scholars, students and practitioners alike, opening up new processes and aesthetics of theatrical design that enhance the environmental and social advocacy of the field.
001441441 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed January 25, 2022).
001441441 650_0 $$aTheater$$xDramatic production.
001441441 650_0 $$aClimatic changes.
001441441 650_0 $$aTheater and society.
001441441 650_6 $$aThéâtre$$xProduction et mise en scène.
001441441 650_6 $$aClimat$$xChangements.
001441441 650_6 $$aThéâtre et société.
001441441 655_0 $$aElectronic books.
001441441 77608 $$iPrint version:$$z981167177X$$z9789811671777$$w(OCoLC)1268327078
001441441 852__ $$bebk
001441441 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-16-7178-4$$zOnline Access$$91397441.1
001441441 909CO $$ooai:library.usi.edu:1441441$$pGLOBAL_SET
001441441 980__ $$aBIB
001441441 980__ $$aEBOOK
001441441 982__ $$aEbook
001441441 983__ $$aOnline
001441441 994__ $$a92$$bISE