001441466 000__ 04617cam\a2200589Ii\4500
001441466 001__ 1441466
001441466 003__ OCoLC
001441466 005__ 20230309004740.0
001441466 006__ m\\\\\o\\d\\\\\\\\
001441466 007__ cr\un\nnnunnun
001441466 008__ 220105s2021\\\\si\a\\\\ob\\\\001\0\eng\d
001441466 019__ $$a1291147625$$a1291172471$$a1291317378
001441466 020__ $$a9789811655623$$q(electronic bk.)
001441466 020__ $$a9811655626$$q(electronic bk.)
001441466 020__ $$z9789811655616
001441466 020__ $$z9811655618
001441466 0247_ $$a10.1007/978-981-16-5562-3$$2doi
001441466 035__ $$aSP(OCoLC)1290839538
001441466 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dN$T$$dGW5XE$$dEBLCP$$dOCLCO$$dOCLCF$$dOCLCO$$dOCLCQ
001441466 049__ $$aISEA
001441466 050_4 $$aPQ3962$$b.L5 2021
001441466 08204 $$a840.9/8951$$223
001441466 1001_ $$aLi, Shuangyi,$$eauthor.
001441466 24510 $$aTravel, translation and transmedia aesthetics :$$bFranco-Chinese literature and visual arts in a global age /$$cShuangyi Li.
001441466 264_1 $$aSingapore :$$bPalgrave Macmillan,$$c[2021]
001441466 264_4 $$c©2021
001441466 300__ $$a1 online resource :$$billustrations (some color)
001441466 336__ $$atext$$btxt$$2rdacontent
001441466 337__ $$acomputer$$bc$$2rdamedia
001441466 338__ $$aonline resource$$bcr$$2rdacarrier
001441466 504__ $$aIncludes bibliographical references and index.
001441466 5050_ $$aChapter 1: Introduction -- Chapter 2: Diverse Forms of Travel and Translation in Franco-Chinese Fiction -- Chapter 3: Translingual Rewriting and Transhistorical Fabulation -- Chapter 4: Sinograph, Calligraphy, and Novelistic Aesthetics -- Chapter 5: Translational (Anti-)Storytelling and Transmedia Aesthetics -- Chapter 6: Conclusion.
001441466 506__ $$aAccess limited to authorized users.
001441466 520__ $$aThis book examines the works of four contemporary first-generation Chinese migrant writer-artists in France: Francois CHENG, GAO Xingjian, DAI Sijie, and SHAN Sa. They were all born in China, moved to France in their adulthood to pursue their literary and artistic ambitions, and have enjoyed the highest French and Western institutional recognitions, from the Grand Prix de la Francophonie to the Nobel Prize in Literature. They have established themselves not only as writers, but also as translators, calligraphers, painters, playwrights, and filmmakers mainly in their host country. French has become their dominantbut not onlylanguage of literary creation (except for Gao); yet, linguistic idioms, poetic imagery, and classical thought from Chinese cultural heritage permeate their French texts and visual artworks, reflecting a strong translingual and transmedial sensibility. The book provides not only distinctive literary and artistic examples beyond existing studies of intercultural encounter, French postcolonial, and Chinese diasporic enquiries; more importantly, it formulates a theoretical model that captures the creative dynamics between the Frenhc/francophone and China/sinophone spaces of articulation, thereby contributing to contemporary debates about literary and artistic production, interpretation, and circulation in the global development of comparative/world literature, as well as intermediality studies. Shuangyi Li is a Lecturer in Comparative Literatures and Cultures at the University of Bristol, UK. He is the author of Proust, China and Intertextual Engagement: Translation and Transcultural Dialogue (2017) (International Comparative Literature Association Anna Balakian Prize 2019). He received his PhD in French at the University of Edinburgh and was selected as pensionnaire etranger at L'Ecole Normale Superieure, Paris (2012-13). He worked as a Swedish Research Council/Vetenskapsradet Research Fellow at Lund University, Sweden (20192021). .
001441466 588__ $$aDescription based on print version record.
001441466 650_0 $$aFrench literature$$xChinese authors$$xHistory and criticism.
001441466 650_0 $$aFrench literature$$y20th century$$xHistory and criticism.
001441466 650_0 $$aFrench literature$$y21st century$$xHistory and criticism.
001441466 650_0 $$aArt in literature.
001441466 650_6 $$aLittérature française$$xAuteurs chinois$$xHistoire et critique.
001441466 650_6 $$aLittérature française$$y20e siècle$$xHistoire et critique.
001441466 650_6 $$aLittérature française$$y21e siècle$$xHistoire et critique.
001441466 650_6 $$aArt dans la littérature.
001441466 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001441466 655_0 $$aElectronic books.
001441466 77608 $$iPrint version:$$z9811655618$$z9789811655616$$w(OCoLC)1261362380
001441466 852__ $$bebk
001441466 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-16-5562-3$$zOnline Access$$91397441.1
001441466 909CO $$ooai:library.usi.edu:1441466$$pGLOBAL_SET
001441466 980__ $$aBIB
001441466 980__ $$aEBOOK
001441466 982__ $$aEbook
001441466 983__ $$aOnline
001441466 994__ $$a92$$bISE