Words, music, and the popular : global perspectives on intermedial relations / Thomas Gurke, Susan Winnett, editors.
Gurke, Thomas, editor.; Winnett, Susan, editor.
2021
ML3470 .W67 2021
Available Online

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Title Words, music, and the popular : global perspectives on intermedial relations / Thomas Gurke, Susan Winnett, editors.
ISBN 9783030855437 (electronic bk.)
3030855430 (electronic bk.)
3030855422
9783030855420
DOI https://doi.org/10.1007/978-3-030-85543-7
Published Cham, Switzerland : Palgrave Macmillan, [2021]
Language English
Description 1 online resource.
Item Number 10.1007/978-3-030-85543-7 doi
Call Number ML3470 .W67 2021
Dewey Decimal Classification 782.42163
Summary Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspects of popular culture, through the lens of the interaction between words and music. This collection of essays explores the relation of words and music to issues of the popular. It asks: What is popularity or 'the' popular and what role(s) does music play in it? What is the function of the popular, and is 'pop' a system? How can popularity be explained in certain historical and political contexts? How do class, gender, race, and ethnicity contribute to and complicate an understanding of the 'popular'? What of the popularity of verbal art forms? How do they interact with music at particular times and throughout different media?
Note Includes index.
Access Note Access limited to authorized users.
Source of Description Description based on online resource; title from digital title page (viewed on January 21, 2022).
Added Author Gurke, Thomas, editor.
Winnett, Susan, editor.
Series Palgrave studies in music and literature.
Available in Other Form Print version: 9783030855420
Linked Resources Online Access
Record Appears in Online Resources > Ebooks
All Resources
1: Words, Music, and the Popular
2: Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular
3: Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretation of Two Dylan Songs
4: Freewheelin with Adorno Down Highway 61:Bob Dylans Transformative Electric Turn
5: Which Side is this Ex-Beatle on? A Reassessment of the 1970s Rock Press Framing, Interpretation, and Consideration of Paul McCartney and Wings
6: PJ Harvey as a Modern War Poet: How Let England Shake Challenges English England Through the Pastoral
7: Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Participation in Community Singing
8: A Melopoetic Struggle Between East and West:Mickiewicz and the Popular Idiom
9: Post-Sovietness of the Popular: the West, the post-Soviet Ukrainian Audience, and the Major Ukrainian Pop Star (1990s)
10: Cafe-Concert Parodies of Lohengrin (Wagner) and Othello (Verdi) in the Context of Popularisation Efforts of the Opera de Paris in the 1890s
11: "the world wanted to bleed all the sass out my name : Interrogating the Popularity of Words and Music in Tyehimba Jesss Olio
12: William H. Gass and the (Un)popularity of Words as Music.

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