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Table of Contents
1: Words, Music, and the Popular
2: Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular
3: Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretation of Two Dylan Songs
4: Freewheelin with Adorno Down Highway 61:Bob Dylans Transformative Electric Turn
5: Which Side is this Ex-Beatle on? A Reassessment of the 1970s Rock Press Framing, Interpretation, and Consideration of Paul McCartney and Wings
6: PJ Harvey as a Modern War Poet: How Let England Shake Challenges English England Through the Pastoral
7: Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Participation in Community Singing
8: A Melopoetic Struggle Between East and West:Mickiewicz and the Popular Idiom
9: Post-Sovietness of the Popular: the West, the post-Soviet Ukrainian Audience, and the Major Ukrainian Pop Star (1990s)
10: Cafe-Concert Parodies of Lohengrin (Wagner) and Othello (Verdi) in the Context of Popularisation Efforts of the Opera de Paris in the 1890s
11: "the world wanted to bleed all the sass out my name : Interrogating the Popularity of Words and Music in Tyehimba Jesss Olio
12: William H. Gass and the (Un)popularity of Words as Music.
2: Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular
3: Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretation of Two Dylan Songs
4: Freewheelin with Adorno Down Highway 61:Bob Dylans Transformative Electric Turn
5: Which Side is this Ex-Beatle on? A Reassessment of the 1970s Rock Press Framing, Interpretation, and Consideration of Paul McCartney and Wings
6: PJ Harvey as a Modern War Poet: How Let England Shake Challenges English England Through the Pastoral
7: Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Participation in Community Singing
8: A Melopoetic Struggle Between East and West:Mickiewicz and the Popular Idiom
9: Post-Sovietness of the Popular: the West, the post-Soviet Ukrainian Audience, and the Major Ukrainian Pop Star (1990s)
10: Cafe-Concert Parodies of Lohengrin (Wagner) and Othello (Verdi) in the Context of Popularisation Efforts of the Opera de Paris in the 1890s
11: "the world wanted to bleed all the sass out my name : Interrogating the Popularity of Words and Music in Tyehimba Jesss Olio
12: William H. Gass and the (Un)popularity of Words as Music.