Artistic (self)-representations of Islam and Muslims : perspectives across France and the Maghreb / Ramona Mielusel, editor.
Mielusel, Ramona, editor.
2021
DC34.5.M87 A78 2021eb
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Title
Artistic (self)-representations of Islam and Muslims : perspectives across France and the Maghreb / Ramona Mielusel, editor.
ISBN
9783030812348 (electronic bk.)
3030812340 (electronic bk.)
3030812332
9783030812331
DOI
https://doi.org/10.1007/978-3-030-81234-8
Published
Cham, Switzerland : Palgrave Macmillan, [2021]
Language
English
Description
1 online resource
Item Number
10.1007/978-3-030-81234-8 doi
Call Number
DC34.5.M87 A78 2021eb
Dewey Decimal Classification
305.6970944
305.697
Summary
Artistic (Self)-Representations of Islam and Muslims: Perspectives Across France and the Maghreb is a collection of essays that explores the question of artistic representation(s)/self-representation(s) of Muslim religious and cultural identity in France, the Maghreb and in/between since the 2000s. The volume offers a plurality of feminine and masculine voices and points of view on cultural Islam (Franco-French, Franco-Maghrebi, Maghrebi), all the while addressing the impact of events like 9/11, the tragic attacks in France in 2015-2016 (Charlie Hebdo, Stade de France, Bataclan, Nice), and the Arab Spring. Taken together, the volume features a transnational and transversal set of artistic voices that are not looking for consensus, but rather invoke dissensus (Ranciere) and a full range of expression. A necessary part of that full range of expression is (self)-representations: Muslims representing themselves, though this is no facile (self)-representations, as artists continue to use the properties of the imagination and performance to complexify an easy reading, reductive meaning, or oversimplified interpretation. This interdisciplinary study contributes to the fields of French and Francophone Studies, Humanities and Global/Cultural Studies such as political studies, sociology, political philosophy, literature, cinema, visual arts and media studies with a focus on broadening views on the topic of Islam and Muslim (self)-representations across disciplines.
Bibliography, etc. Note
Includes bibliographical references and index.
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Access limited to authorized users.
Source of Description
Description based on online resource; title from digital title page (viewed on January 18, 2022).
Added Author
Mielusel, Ramona, editor.
Available in Other Form
Print version: 9783030812331
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Chapter 1: Introduction
Part I: Cinematic Representations of Islam: From Imams to Radicals
Chapter 2: Imams and Audience in Kaouther Ben Hanias Niche Filmwork
Chapter 3: Representations of Radical Islam in Merzak Allouaches most Recent Films
Chapter 4: De-westernizing the Gaze on Islam and the Veil in French and Franco-Algerian Films Abderrahmene Bourenane and Delphine Letort
Chapter 5: Nicolas Boukhriefs Made in France: Nuancing the Mediatized Approach to Islamic Terrorism
Part II: Veiling, Islamic and Artistic Symbols and Far-Right Politics in Literary Representations of Islam and Muslims
Chapter 6: Jeux de rubans (2011) by Emna Belhaj Yahia or the (Un)Veiling of Modern Tunisia
Chapter 7: Eclipsing the Sun in Amira-Gehanne Khalfallahs Le Naufrage de La Lune: Re-Appropriating Islamic Power Dynamics Through Allegory and Self-Representation
Chapter 8: In Praise of the Transgressive Muslim Body: Portraits of Moroccan Chikhates
Chapter 9: Islam and Far-Right Politics in Post-Contemporary Francophone Speculative Fiction: An Ethical Call to Resistance or Revival of French Orientalism?
Part III: Representations of Islam in Music, Comic Series and Visual Arts
Chapter 10: (P)raising Islam: When French Muslim rappers advocate for peace, love and unity in a Multicultural France
Chapter 11: Drawing the Muslim Self: Muslim Citizenship and Contemporary Islam in France
Chapter 12: Franco-Maghrebi Perspectives on the Islamic Body in a Contemporary Artistic Context: Kader Attia and Zoulikha Boubdellah
Chapter 13: Conclusion.

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