The Palgrave handbook of script development / Stayci Taylor, Craig Batty, editors.
Taylor, Stayci, 1969- editor.; Batty, Craig, editor.
2021
PN1996 .P35 2021
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Title The Palgrave handbook of script development / Stayci Taylor, Craig Batty, editors.
ISBN 3030822346 electronic book
9783030822347 (electronic bk.)
9783030822330
3030822338
DOI https://doi.org/10.1007/978-3-030-82234-7
Published Cham, Switzerland : Palgrave Macmillan, [2021]
Copyright ©2021
Language English
Description 1 online resource : illustrations (some color)
Other Standard Identifiers 10.1007/978-3-030-82234-7 doi
Call Number PN1996 .P35 2021
Dewey Decimal Classification 808.2/3
Summary "The Handbook of Script Development provides a creative and critical guide for those who study, teach and work on the development of stories for the screen. The larger, international perspective is highly valuable in todays media climate where screenwriters sell stories to streaming services with an eye on collecting viewers from all over the world. Such a cross-cultural product requires exposure to new ideas in how scripts are developed which is exactly the perspective I discovered in these pages." --- Dr Rosanne Welch, Executive Director, Stephens College MFA in TV and Screenwriting The Palgrave Handbook of Script Development provides the first comprehensive overview of international script development practices. Across 40 unique chapters, readers are guided through the key challenges, roles and cultures of script development, from the perspectives of creators of original works, those in consultative roles and those giving broader contextual case studies. The authors take us inside the writers room, alongside the script editor, between development conversations, and outside the mainstream and into the experimental. With authors spanning upwards of 15 countries, and occupying an array of roles including writer, script editor, producer, script consultant, executive, teacher and scholar, this is a truly international perspective on how script development functions (or otherwise) across media and platforms. Comprising four parts, the handbook guides readers behind the scenes of script development, exploring unique contexts, alternative approaches, specific production cultures and global contexts, drawing on interviews, archives, policy, case study research and the insider track. With its broad approach to a specialised practice, the Palgrave Handbook of Script Development is for anyone who practices, teaches or studies screenwriting and screen production. Stayci Taylor is a Lecturer in Media at RMIT University, Australia. She is an award-winning screenwriter and researcher, published widely on screenwriting, web series and creative writing. Craig Batty is Dean of Research (Creative) at the University of South Australia. He is an award-winning educator and researcher in the field of screenwriting, and is also a writer, script editor and script consultant.
Bibliography, etc. Note Includes bibliographical references and index.
Access Note Access limited to authorized users.
Source of Description Description based on online resource; title from digital title page (viewed on January 12, 2022).
Added Author Taylor, Stayci, 1969- editor.
Batty, Craig, editor.
Available in Other Form Print version: 9783030822330
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Part 1: Behind the scenes of script development
Chapter 1: The Feedback Phenomenon: dealing with multiple voices in the development of original screenplays
Chapter 2: Script Readers as Gatekeepers: demystifying processes of script coverage
Chapter 3: A Creative Pilgrimage: negotiating Authenticity, Creativity and Budget in the medieval web series Tales of Bacon
Chapter 4: Creating the Low Budget Feature Film Script: development as emergence
Chapter 5: Script Development on Unscripted Television: Grand Designs and the spectacle of the reveal
Chapter 6: Saying What Must Not Be Said: exploring communication in the script development process
Chapter 7: Scripting Creative Documentary Film: developing the Script for Not Reconciled
Chapter 8: Negotiating Television Authorship and Gendering Creative Identity: Vicki Madden as Australian showrunner
Chapter 9: Constructing Criticism without Crushing Confidence: cultures of feedback in television script development
Chapter 10: The Business of Script Development: insights from industry practitioners
Part 2: Script Development in Time and Place
Chapter 11: Doctoring La Caceria, las ninas de Alto Hospicio: issues in cross-cultural script consulting
Chapter 12: Script development as a collective enterprise: the writing of the indigenous feature film Waru
Chapter 13: Independent, Short and Controversial: the script development of San Sabba
Chapter 14: How Angelica Became The Strange Case of Angelica: from the idea to the script to the book to the film
Chapter 15: Scripting for the Masses: notes on the political economy of Bollywood
Chapter 16: Respectful Partnerships/Cultural Integrity: applying ethical protocols to the scripting of No Longer a Wandering Spirit
Chapter 17: Writers Room and Showrunner: discourses and practices in the German TV industry
Chapter 18: The ASEAN ROK RICE LAB: voices across Asia, stories about rice
Chapter 19: 1 + 1 = 3: Danish collaborative practice in screen idea and story development
Chapter 20: Scottish Modernism Goes to New Hollywood: tracing the script development of Alan Sharps Night Moves
Part 3: Alternative Approaches
Chapter 21: Creating Kaleidoscopic Characters: working with performance to develop character stories prior to the screen story
Chapter 22: Lean Script Development in the Available Materials School of Filmmaking: this is dedicated to The One I Love
Chapter 23: Pedagogy-Led Practice and Practice-Led Pedagogy: a feedback loop of teaching and screenwriting
Chapter 24: A Comparative Study of the Novel O Quatrilho and its Adapted Screenplays: researching the script development process
Chapter 25: Scripting and the Multimodal Screenplay within the Script Development Process
Chapter 26: Dont eat my baby: collisions, development and Indigenous consultation in the Australian family feature film screenplay, Dingo
Chapter 27: The Application of an Eternal Dance Methodology in the Development of an Original Screenplay
Chapter 28: A Collaborative Reflection Between Writer, Director and Actors: table reading as scriptwriting intervention
Chapter 29: Hitting the Road: performing the journey as a development strategy in Paris, Texas and Goodbye Pork Pie
Chapter 30: Development Across the Intercultural Divide: scripting stories with other groups
Part 4: Unique Contexts of Script Development
Chapter 31: Productive Interventions: collaborative script development for stories about mental health issues and suicide
Chapter 32: Place, presence and play: A listening, co-active approach to story development
Chapter 33: Crafting immersive experiences: a case study of the development of three short narrative cinematic virtual reality (CVR) projects
Chapter 34: Script Development as Communicative Process: the case of Notorious
Chapter 35: Between video games and television shows, towards meta script development practices?
Chapter 36: Developing Texts for Animated Opera: a unique case study
Chapter 37: From Comedy to Drama: the curious case study of Queenpin
Chapter 38: You never know who is in control: German transmedia content development
Chapter 39: Violet City: script development from novel to green screen fantasy feature
Chapter 40: Checking The Black List Twice: the ambiguous industry role of script development services.

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