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001441602 001__ 1441602
001441602 003__ OCoLC
001441602 005__ 20230309003335.0
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001441602 019__ $$a1290814549$$a1290839890$$a1294359977
001441602 020__ $$a9781137501776$$q(electronic bk.)
001441602 020__ $$a1137501774$$q(electronic bk.)
001441602 020__ $$z9781137501769$$q(print)
001441602 020__ $$z1137501766
001441602 0247_ $$a10.1057/978-1-137-50177-6$$2doi
001441602 035__ $$aSP(OCoLC)1291314278
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001441602 049__ $$aISEA
001441602 050_4 $$aPN1992.65
001441602 08204 $$a791.45/7$$223
001441602 1001_ $$aHogg, Christopher.
001441602 24510 $$aAdapting television drama :$$btheory and industry /$$cChristopher Hogg.
001441602 260__ $$aLondon, United Kingdom :$$bPalgrave Macmillan,$$c2021.
001441602 300__ $$a1 online resource (270 pages)
001441602 336__ $$atext$$btxt$$2rdacontent
001441602 337__ $$acomputer$$bc$$2rdamedia
001441602 338__ $$aonline resource$$bcr$$2rdacarrier
001441602 347__ $$atext file
001441602 347__ $$bPDF
001441602 4901_ $$aPalgrave studies in adaptation and visual culture
001441602 504__ $$aIncludes bibliographical references and index.
001441602 5050_ $$a1. Adapting Television Drama: A General Introduction -- 2. Producing Adaptations -- 3. Writing Adaptations -- 4. Designing and Directing Adaptations -- 5. Casting and Acting Adaptations -- 6. Adapting Television Drama: A General Conclusion.
001441602 506__ $$aAccess limited to authorized users.
001441602 520__ $$aThis book explores adaptation in its various forms in contemporary television drama. It considers the mechanics of adaptation as an ever-more prevalent form of production, most notably in the reworking of literary sources for television. It also explores the broader process through which the television industry as a whole is currently making necessary adaptations in how it tells stories, especially in relation to important concerns of equality, diversity and inclusion. Offering and analysing 16 original interviews with leading British television producers, writers, directors, production designers, casting directors and actors, and with a particular focus on female and/or minority-ethnic industry perspectives, the book examines some of the key professional and creative approaches behind television adaptations today. The book connects these industry insights to the existing conceptual and critical frameworks of television studies and adaptation studies, illuminating the unique characteristics of television adaptation as a material mode of production, and revealing television itself as an inherently adaptive artform. Dr Christopher Hogg is Senior Lecturer in Television Theory at the University of Westminster, UK. Chris specialises in television drama and television acting, with a particular interest in bringing together industry and academic perspectives. He is the co-author (with Dr Tom Cantrell, the University of York) of the book Acting in British Television (Palgrave Macmillan, 2017), and the co-editor (also with Cantrell) of the collection Exploring Television Acting (2018).
001441602 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed January 11, 2022).
001441602 650_0 $$aTelevision plays$$xHistory and criticism.
001441602 650_6 $$aDramatiques (Émissions télévisées)$$xHistoire et critique.
001441602 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001441602 655_0 $$aElectronic books.
001441602 77608 $$iPrint version:$$aHogg, Christopher.$$tAdapting Television Drama.$$dLondon : Palgrave Macmillan UK, ©2021$$z9781137501769
001441602 830_0 $$aPalgrave studies in adaptation and visual culture.
001441602 852__ $$bebk
001441602 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1057/978-1-137-50177-6$$zOnline Access$$91397441.1
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001441602 980__ $$aBIB
001441602 980__ $$aEBOOK
001441602 982__ $$aEbook
001441602 983__ $$aOnline
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