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Table of Contents
Part I
Genres in Media and Cultural Theory, Yvonne Tasker
Genre in Action: The Impossibility and Value of Genre Analysis, Ivo Ritzer
Trespass: Genre, Author, and Play in the Discourse of Media Aesthetics, Hannah Schoch
Genre Affordances: Hamilton, An American Musical and the Political Dynamics of Cultural Circulation
Part II
Trans-media Perspectives, Karina Kirsten
Genre Processes in Dialogic Constellations: Bates Motel, Peter W. Schulze
Tango, Samba and Ranchera: The Trans/National Cultural Economy of Latin American Musicals (1930s-50s), Katja Hettich
Can You Feel the Love Tonight? The Cognitive and Affective Conditions of Romance, Meike Sarah Reinerth
Political Genres of Online Animation: Genre Theory, Animation Studies, and Digital Media
Part III
Re-thinking Genres in Film Studies, Johannes Pause / Niels-Oliver Walkowski
Zombies, Conspiracies, and Aesthetics in Crisis, Irina Gradinari
Ideology Dialogues: The DEFA Antifascist Film, Florian Mundhenke
Documentary as Genre or Mode? Roger Odin's and Gerard Genette's Answers from the Viewpoint of Pragma-semiotics and Narratology.
Genres in Media and Cultural Theory, Yvonne Tasker
Genre in Action: The Impossibility and Value of Genre Analysis, Ivo Ritzer
Trespass: Genre, Author, and Play in the Discourse of Media Aesthetics, Hannah Schoch
Genre Affordances: Hamilton, An American Musical and the Political Dynamics of Cultural Circulation
Part II
Trans-media Perspectives, Karina Kirsten
Genre Processes in Dialogic Constellations: Bates Motel, Peter W. Schulze
Tango, Samba and Ranchera: The Trans/National Cultural Economy of Latin American Musicals (1930s-50s), Katja Hettich
Can You Feel the Love Tonight? The Cognitive and Affective Conditions of Romance, Meike Sarah Reinerth
Political Genres of Online Animation: Genre Theory, Animation Studies, and Digital Media
Part III
Re-thinking Genres in Film Studies, Johannes Pause / Niels-Oliver Walkowski
Zombies, Conspiracies, and Aesthetics in Crisis, Irina Gradinari
Ideology Dialogues: The DEFA Antifascist Film, Florian Mundhenke
Documentary as Genre or Mode? Roger Odin's and Gerard Genette's Answers from the Viewpoint of Pragma-semiotics and Narratology.