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Introduction
Block 1: TV Series as Literature in Theory
Adapting Balzic for Television: Literariness and Authorial Identity on the Small Screen
The Poetics of Screenwriting: Approaching the Teleplay from a Literary Perspective
From Frenetic to Vivid: Phenomenological Reading to Immersive Television Narratives
Literary Remediations of The Contemporary Television Series From the Familiar to Storyttelling Originals
The Literary in Television, or Why Should We Teach TV Series in Literature Departments
Toward "Sphere Theory" : Redefining the Narrative Genres of the Novel and the TV Drama Series
The Academic Canonization of Media and Its Connections to Industry
Literary Value and the Case of the Teleserye in the Philippines
Block 2: Television Literature as Literature in Pratice
"Its the Beauty that Hurts the Most" : Rectify as Televisual Novel
Angry Old Men? Reading ITVS Morse Through the Lends of the Campus Novel
"Read a Fucking Book!" : Healing Trauma Through Reading in Boardwalk Empire
Not Exactly Shakespeare? ShakespeareS Plays, Ben Eltons Upstart Crow and the Problem of Literature on Television
A Shift in Storytelling: Television Series over the Garden Wall as a Literary Reconstruction of DanteS Divine Comedy
Breaking Bad: Reading Freedom Through the Fragility of Private Space
Rat Phones, Alligators, Lemon Pepper Wet: The Poetic Absurd of Atlanta
Reading a Police Procedural as a Lyrical Text
Audible Paratexts: Song Lyrics in Television Series
Adult Fables in the Digital Age: A Literary Approach to Black Mirror
"Literature/Film/Mad Men"
"Married at First Sight": A TV Literature Experiment.

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