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Chapter 1: Introduction
Setting the Scene: Analytical Data and Connoisseurship for Attribution in Art
Chapter 2 . Chinese Porcelains and Their Early European Competitors
Chapter 3. Establishing the Historical Baseline Chronology for European Porcelains
Chapter 4. Types of Porcelain and Their Elemental Oxide Compositions
Chapter 5 . Analytical Science and Case Studies
Chapter 6 . Case Studies I : Analytical Data Which Have Materially Contributed to the Attribution of Porcelain Specimens
Chapter 7 .Case Studies II : Analytical Data Which Have Revealed That Significant Revision is Required to Historical Knowledge of Porcelain Manufactories (Part A)
Chapter 8 . Case Studies III : Analytical Data Which Have Revealed That a Significant Revision is Required to Historical Knowledge of Porcelain Manufactories (Part B)
Chapter 9 . Case Studies IV : Challenges for Analytical Science
Chapter 10. Assessment of the Role of Chemical Analysis in the Holistic Attribution of Porcelains to Factory Sources, Their Characterisation and the Evaluation of their Chronology
Appendix I: Lady Charlotte Schreiber (1812-1895)
Appendix II : The Bearded Tulip : Who Was de Junic and Can Analysis Unravel the Mystery Surrounding this Artist?
Appendix III : Retailers of Porcelain A Source of Uncertainty for Analytical Attribution
Appendix IV : The Importance of Establishing the Correct Chronology for Factory Operations in a Holistic Forensic Analytical Approach. Example : The Swansea and Nantgarw Manufactories,1814-1820
Appendix V : Angela Georgina Burdett-Coutts, 1st Baroness
Appendix VI : American Porcelain Manufactories
Appendix VII :Curiosities in Ceramic Compositions Exposed by Chemical Analysis
Appendix VIII :Knowledge Transfer in the Age of Enlightenment
Appendix IX : Ancient Pigments Nomenclature Confusion : An Analytical Challenge
Selected Bibliography
Glossary
Index.

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