001443585 000__ 02765cam\a2200541Ii\4500 001443585 001__ 1443585 001443585 003__ OCoLC 001443585 005__ 20230310003552.0 001443585 006__ m\\\\\o\\d\\\\\\\\ 001443585 007__ cr\cn\nnnunnun 001443585 008__ 220108s2022\\\\si\\\\\\ob\\\\000\0\eng\d 001443585 019__ $$a1291230591$$a1291268292$$a1291288975$$a1291313183$$a1294360228 001443585 020__ $$a9789811677472$$q(electronic bk.) 001443585 020__ $$a9811677476$$q(electronic bk.) 001443585 020__ $$z9789811677465 001443585 020__ $$z9811677468 001443585 0247_ $$a10.1007/978-981-16-7747-2$$2doi 001443585 035__ $$aSP(OCoLC)1291315848 001443585 040__ $$aEBLCP$$beng$$erda$$epn$$cEBLCP$$dYDX$$dGW5XE$$dOCLCO$$dDCT$$dOCLCF$$dN$T$$dAUD$$dOCLCO$$dUKAHL$$dOCLCQ 001443585 0411_ $$aeng$$hchi 001443585 049__ $$aISEA 001443585 050_4 $$aBH221.C6$$bZ58 2022 001443585 08204 $$a111/.850951$$223 001443585 1001_ $$aZhu, Zhirong,$$eauthor. 001443585 24510 $$aChinese aesthetics in a global context /$$cZhirong Zhu. 001443585 264_1 $$aSingapore :$$bSpringer,$$c[2022] 001443585 264_4 $$c©2022 001443585 300__ $$a1 online resource (327 pages) 001443585 336__ $$atext$$btxt$$2rdacontent 001443585 337__ $$acomputer$$bc$$2rdamedia 001443585 338__ $$aonline resource$$bcr$$2rdacarrier 001443585 347__ $$atext file$$bPDF$$2rda 001443585 504__ $$aIncludes bibliographical references. 001443585 5050_ $$aIntroduction -- The Aesthetic Activity -- The Aesthetic Object -- The Aesthetic Relationship -- Characteristics of Aesthetic Perception -- Aesthetic Consciousness -- Aesthetic Ideo-imagery -- Aesthetic Styles -- Aesthetic Education -- Conclusion -- References -- Index. 001443585 506__ $$aAccess limited to authorized users. 001443585 520__ $$aThis book examines aesthetic issues based on humanities principles and creates a theory of Chinese aesthetics from a global perspective by applying Chinas traditional and cultural history to a Western theoretical framework. In particular, this book emphasizes the shared features of Confucianism, Daoism, and Buddhism, namely the unity of heaven and men, unity of nature and society, and the materialization of human feelings and humanization of material things. It also highlights the dominant role of humans in the aesthetic relationship between human and object, while placing imagery in a focal position. . 001443585 546__ $$aTranslated from Chinese. 001443585 588__ $$aDescription based upon print version of record. 001443585 650_0 $$aAesthetics, Chinese. 001443585 650_6 $$aEsthétique chinoise. 001443585 655_0 $$aElectronic books. 001443585 77608 $$iPrint version:$$aZhu, Zhirong$$tChinese Aesthetics in a Global Context$$dSingapore : Springer Singapore Pte. Limited,c2022$$z9789811677465 001443585 852__ $$bebk 001443585 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-16-7747-2$$zOnline Access$$91397441.1 001443585 909CO $$ooai:library.usi.edu:1443585$$pGLOBAL_SET 001443585 980__ $$aBIB 001443585 980__ $$aEBOOK 001443585 982__ $$aEbook 001443585 983__ $$aOnline 001443585 994__ $$a92$$bISE