Merchant princes and charlatans or makers of money? : decoding icons of nineteenth century British and international finance / Henry Sless.
2022
HG171
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Title
Merchant princes and charlatans or makers of money? : decoding icons of nineteenth century British and international finance / Henry Sless.
Author
ISBN
9783030866044 (electronic bk.)
3030866041 (electronic bk.)
9783030866037
3030866033
3030866041 (electronic bk.)
9783030866037
3030866033
Published
Cham, Switzerland : Palgrave Macmillan, 2022.
Language
English
Description
1 online resource (1 volume) : illustrations (black and white, and color).
Item Number
10.1007/978-3-030-86604-4 doi
Call Number
HG171
Dewey Decimal Classification
332.09
Summary
This book provides a critical analysis of visual images of British and international finance during the nineteenth century. Its focus is on the financiers themselves, contrasting the depiction of the respectable Merchant Princes with the less than perfect charlatans (white-collar criminals) who defrauded investors of millions. The breakdown of trust between financiers and investors that evolved during this period is represented visually in depictions of the emotional response of investors to the uncertain financial climate. Throughout the book a PEARL methodology has been used to critique the images reflecting the impact of any Publishers political bias, the Editorial and Artistic techniques used to convey the messages in the images, and the Legal context (especially a concern in countries such as France and Germany where censorship was strict). The book concludes that white-collar criminals were invariably secretly admired in Britain, and rarely severely satirised. Similarly, Merchant Princes were depicted favourably in Britain as members of the ruling elite during the latter half of the century. This is contrasted with the more extreme anti-monopolistic images in the US and the extreme anti-Semitic treatment of Jewish financiers in France and Germany. Henry Sless is currently a Research Associate at Henley Business School at the University of Reading, UK. He received a Masters in historical cartoons from the University of Kent, UK, and a doctorate in visual images of finance in the Victorian era from the University of Reading.
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Table of Contents
Introduction
Financial context
Visual context
The merchant princes
The charlatans
Financial iconography
Gender
The other
The law
Dreams and the unconscious
Conclusion.
Financial context
Visual context
The merchant princes
The charlatans
Financial iconography
Gender
The other
The law
Dreams and the unconscious
Conclusion.