001444398 000__ 05146cam\a2200541Ia\4500 001444398 001__ 1444398 001444398 003__ OCoLC 001444398 005__ 20230310003708.0 001444398 006__ m\\\\\o\\d\\\\\\\\ 001444398 007__ cr\un\nnnunnun 001444398 008__ 220215s2022\\\\sz\\\\\\o\\\\\000\0\eng\d 001444398 019__ $$a1296910457$$a1296942576$$a1298393764$$a1299386449 001444398 020__ $$a9783030875053$$q(electronic bk.) 001444398 020__ $$a3030875059$$q(electronic bk.) 001444398 020__ $$z3030875040 001444398 020__ $$z9783030875046 001444398 0247_ $$a10.1007/978-3-030-87505-3$$2doi 001444398 035__ $$aSP(OCoLC)1296675927 001444398 040__ $$aYDX$$beng$$cYDX$$dGW5XE$$dEBLCP$$dN$T$$dOCLCO$$dOCLCF$$dOCLCO$$dOCLCQ 001444398 049__ $$aISEA 001444398 050_4 $$aHM1033 001444398 08204 $$a909$$223 001444398 24500 $$aContested urban spaces:$$bmonuments, traces, and decentered memories /$$cUlrike Capdepón, Sarah Dornhof, editors. 001444398 260__ $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022. 001444398 300__ $$a1 online resource 001444398 4901_ $$aPalgrave Macmillan memory studies 001444398 500__ $$aIncludes index. 001444398 5050_ $$aChapter 1: Introduction: Contested Memory in Urban Space -- Part I: Approaching contested urban memoryscapes -- Chapter 2: (In)visibile Monuments. What Makes Monuments Controversial? -- Chapter 3: Australian Welcome Walls and Other Sites of Networked Migrant Memory -- Chapter 4: Negotiating binaries in curatorial practice: modality, temporality, and materiality in Cape Towns community-led urban history museums -- Chapter 5: Contesting Sensory Memories: Smithfield Market in London -- Part II: Decentered Memories -- Chapter 6: Across the Atlantic. Silences and Memories of Nazism in Remote Lands (Eldorado, Misiones) -- Chapter 7: [De]colonial Memory Practices in Germanys Public Space -- Chapter 8: Splinters between Memory and Globalization: Cosmic Generator Installation by Mika Rottenberg in Munster at Skulptur Projekte 2017 -- Part III: Fallen Monuments -- Chapter 9: The Empty Pedestal: Artistic Practice and Public Space in Luanda -- Chapter 10: They Took Him Away but It Was Like He Was Still Around: Can New York City Move Beyond the Legacy of J. Marion Sims? -- Chapter 11: Disgraced Monuments: Burying and Unearthing Lenin and Lyautey -- Part IV: Traces of Violence -- Chapter 12: Urban Memory after War: Ruins and reconstructions in post-Yugoslav cities -- Chapter 13: Monumentality, Forensic Practices, and the Representation of the Dead: the Debate about the Memory of the Post-Civil War Victims in the Almudena Cemetery, Madrid -- Chapter 14: The Mass Grave and the Memorial. Notes from Mexico on Memory Work as Contestation of Contemporary Terror. 001444398 506__ $$aAccess limited to authorized users. 001444398 520__ $$aThis book takes the urban space as a starting point for thinking about practices, actors, narratives, and imaginations within articulations of memory. The social protests and mobilizations against colonial statues are examples of how past injustice and violence keep on shaping debates in the present. Following an interdisciplinary approach, the contributions to this book focus on the in/visibility and affective power of monuments and traces through political, activist, and artistic contestations in different geographical settings. They show that memories are shaped in contact zones, most often in conflict and within hierarchical social relations. The notion of decentered memory shifts the perspective to relationships between imperial centers and margins, remembrance and erasure, nationalistic tendencies and migration. This plurality of connections emerges around unfinished histories of violence and resistance that are reflected in monuments and traces. Ulrike Capdepon is a researcher at the Center for Cultural Inquiry, University of Konstanz, Germany, and will be a DAAD-Professor at the CUCSH of the University of Guadalajara, Mexico. She holds a PhD in Political Science from the University of Hamburg, Germany. Her research interests include memory studies and human rights in Latin America and the Iberian Peninsula. Sarah Dornhof is a research fellow at the Humboldt University Berlin, Germany. She holds a PhD in Cultural Studies from the European University Viadrina, Frankfurt/Oder, Germany. Her current research examines contemporary art in relation to cultural memory and archival practice in Morocco. Her fields of interest are postcolonial and gender studies. 001444398 588__ $$aDescription based on print version record. 001444398 650_0 $$aCollective memory. 001444398 650_0 $$aMonuments. 001444398 650_0 $$aSocial change. 001444398 650_0 $$aMemory$$xSocial aspects. 001444398 650_6 $$aMémoire collective. 001444398 650_6 $$aMonuments. 001444398 655_0 $$aElectronic books. 001444398 7001_ $$aCapdepón, Ulrike,$$eeditor.$$1https://isni.org/isni/0000000449247987 001444398 7001_ $$aDornhof, Sarah,$$eeditor.$$1https://isni.org/isni/000000007141835X 001444398 77608 $$iPrint version:$$z3030875040$$z9783030875046$$w(OCoLC)1264390299 001444398 830_0 $$aPalgrave Macmillan memory studies. 001444398 852__ $$bebk 001444398 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-87505-3$$zOnline Access$$91397441.1 001444398 909CO $$ooai:library.usi.edu:1444398$$pGLOBAL_SET 001444398 980__ $$aBIB 001444398 980__ $$aEBOOK 001444398 982__ $$aEbook 001444398 983__ $$aOnline 001444398 994__ $$a92$$bISE