001445036 000__ 03487cam\a2200517Ii\4500
001445036 001__ 1445036
001445036 003__ OCoLC
001445036 005__ 20230310003809.0
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001445036 019__ $$a1301453927$$a1301480561$$a1301766638$$a1301899714$$a1301946001$$a1302001556$$a1302012561
001445036 020__ $$a9783030856946$$q(electronic bk.)
001445036 020__ $$a3030856941$$q(electronic bk.)
001445036 020__ $$z9783030856939
001445036 020__ $$z3030856933
001445036 0247_ $$a10.1007/978-3-030-85694-6$$2doi
001445036 035__ $$aSP(OCoLC)1302746940
001445036 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDX$$dEBLCP$$dOCLCO$$dN$T$$dOCLCF$$dUKAHL$$dOCLCQ
001445036 049__ $$aISEA
001445036 050_4 $$aML410.L645
001445036 08204 $$a780/.0519$$223
001445036 1001_ $$aNamoradze, Nicolas,$$d1992-$$eauthor.
001445036 24510 $$aLigeti's macroharmonies :$$ba graphical-statistical analysis of Book 3 of the piano etudes /$$cNicolas Namoradze.
001445036 264_1 $$aCham, Switzerland :$$bSpringer,$$c2022.
001445036 300__ $$a1 online resource (1 volume) :$$billustrations (black and white, and color).
001445036 336__ $$atext$$btxt$$2rdacontent
001445036 337__ $$acomputer$$bc$$2rdamedia
001445036 338__ $$aonline resource$$bcr$$2rdacarrier
001445036 4901_ $$aComputational music science
001445036 504__ $$aIncludes bibliographical references.
001445036 5050_ $$aIntroduction -- Alternating Diatonic Qualities in Etude 15, White on White -- Gradual Disintegrations in Etude 16, Pour Irina -- Articulating Ternary Structures in Etude 17, A bout de souffle -- Tonal Procedures in Etude 18, Canon -- Conclusion -- Appendix 1: Scrolling Videos -- Appendix 2: Maximal Forces on Fourier Balances -- Bibliography.
001445036 506__ $$aAccess limited to authorized users.
001445036 520__ $$aIn the third and final book of his iconic piano etudes Gyorgy Ligeti charts a new path relative to the rest of his musical output, representing a significant arrival in a composers oeuvre known for its stylistic transformations. This monograph is the first dedicated study of these capstone works, investigating them through a novel lens of statistical-graphical analysis that illuminates their compositional uniqueness as well as broader questions regarding the perception of stability in musical texture. With nearly 200 graphical illustrations and a detailed commentary, this examination reveals the unique manner in which Ligeti treads between tonality and atonalitya key idea in his late styleand the centrality of processes related to broader scale areas (or macroharmony) in articulating structures and narratives. The analytical techniques developed here are a powerful tool for investigating macroharmonic stability that can be applied to a wide range of repertoire beyond these works. This book is intended for graduate-level and professional music theorists, musicologists, performers and mathematicians.
001445036 588__ $$aDescription based on print version record.
001445036 60010 $$aLigeti, György,$$d1923-2006$$xCriticism and interpretation.
001445036 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001445036 655_0 $$aElectronic books.
001445036 77608 $$iPrint version:$$aNamoradze, Nicolas, 1992-$$tLigeti's macroharmonies.$$dCham : Springer, 2022$$z9783030856939$$w(OCoLC)1295105841
001445036 830_0 $$aComputational music science.
001445036 852__ $$bebk
001445036 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-85694-6$$zOnline Access$$91397441.1
001445036 909CO $$ooai:library.usi.edu:1445036$$pGLOBAL_SET
001445036 980__ $$aBIB
001445036 980__ $$aEBOOK
001445036 982__ $$aEbook
001445036 983__ $$aOnline
001445036 994__ $$a92$$bISE