001445074 000__ 04753cam\a2200625Ia\4500
001445074 001__ 1445074
001445074 003__ OCoLC
001445074 005__ 20230310003811.0
001445074 006__ m\\\\\o\\d\\\\\\\\
001445074 007__ cr\un\nnnunnun
001445074 008__ 220311s2022\\\\sz\\\\\\ob\\\\001\0\eng\d
001445074 019__ $$a1283140417$$a1283820611$$a1283948011$$a1303077427$$a1303185461$$a1303215192
001445074 020__ $$a9783030924621$$q(electronic bk.)
001445074 020__ $$a3030924629$$q(electronic bk.)
001445074 020__ $$z3030924610
001445074 020__ $$z9783030924614
001445074 0247_ $$a10.1007/978-3-030-92462-1$$2doi
001445074 035__ $$aSP(OCoLC)1303057085
001445074 040__ $$aYDX$$beng$$cYDX$$dGW5XE$$dUKMGB$$dOCLCF$$dOCLCO$$dN$T$$dUKAHL$$dOCLCQ
001445074 049__ $$aISEA
001445074 050_4 $$aML3528.7
001445074 08204 $$a741.648$$223
001445074 24500 $$aBodies, noise and power in industrial music /$$cJason Whittaker, Elizabeth Potter, editors.
001445074 260__ $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022.
001445074 300__ $$a1 online resource.
001445074 336__ $$atext$$2rdacontent
001445074 336__ $$astill image$$2rdacontent
001445074 337__ $$aunmediated$$2rdamedia
001445074 338__ $$avolume$$2rdacarrier
001445074 4901_ $$aPop music, culture and identity
001445074 504__ $$aIncludes bibliographical references and index.
001445074 5050_ $$a1. My Body Disgusts Me: Swans, Biopolitics, and the Liberation of the Body; James McCrea -- 2. Nadafa: Women's Bodies in Arab Hip Hop and Industrial Music; Steve Collins, Rachael Gunn, Susie Khamis -- 3. "The Odds of the Body": Clipping and Escapaing the Power Hold on the Black Body; Daniel Gillespie -- 4. All Too Human: Industrial Bodies and Anti-Bodies in the Time of Aids; Jason Whittaker -- 5. Cabaret Voltaire: Industrial Dada; Ben Eyes -- 6. Chance Meeting: disembodied voices in the work of Nurse with Wound and Cabaret Voltaire; Rupert Loydell -- 7. The Last Attempt at Paradise: Early Industrial Culture in Kansas; Francis X. Connor -- 8. Industrial Music and Inner Experience: Aural Abrasion as a Window to Post-Subjectivity; Jay Fraser -- 9. The Occultural Side of Industrial: far from its Origins to Industrial Black Metal; M. Cecilia Marchetto Santorun -- 10. "Happiness and Slavery", or Industrial Erotic; Elizabeth Potter.
001445074 506__ $$aAccess limited to authorized users.
001445074 520__ $$aThis edited collection delves into the industrial music genre, exploring the importance of music in (sub)cultural identity formation, and the impact of technology on the production of music. With its roots as early as the 1970s, industrial music emerged as a harsh, transgressive, and radically charged genre. The soundscape of the industrial is intense and powerful, adorned with taboo images, and thematically concerned with authority and control. Elemental to the genre is critical engagement with configurations of the body and related power. Adopting an interdisciplinary approach, this collection analyses the treatment of subjects like the Body (animal, human, machine), Noise (rhythmic, harsh) and Power (authority, institutions, law) in a variety of industrial musics elements. Throughout the collection, these three subjects are interrogated by examining lyrics, aesthetics, music videos, song writing, performance and audience reception. The chapters have been carefully selected to produce a diverse and intersectional perspective, including work on Black industrial musicians and Arabic and North African womens collaborations. Rather than providing historical context, the contributors interpret the finer elements of the aesthetics and discourses around physical bodies and power as expressed in the genre, expanding the industrial boundary and broadening the focus beyond white European industrial music. .
001445074 588__ $$aDescription based on print version record.
001445074 650_0 $$aIndustrial music$$xHistory and criticism.
001445074 650_0 $$aIndustrial music$$xPhilosophy and aesthetics.
001445074 650_0 $$aHuman body in music.
001445074 650_6 $$aMusique industrielle$$xHistoire et critique.
001445074 650_6 $$aMusique industrielle$$xPhilosophie et esthétique.
001445074 650_6 $$aCorps humain dans la musique.
001445074 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001445074 655_0 $$aElectronic books.
001445074 7001_ $$aWhittaker, Jason,$$d1969-$$eeditor.
001445074 7001_ $$aPotter, Elizabeth,$$eeditor.
001445074 77608 $$iPrint version:$$z9783030924621
001445074 77608 $$iPrint version:$$z3030924610$$z9783030924614$$w(OCoLC)1283948011
001445074 77608 $$iPrint version:$$tBODIES, NOISE AND POWER IN INDUSTRIAL MUSIC.$$d[S.l.] : PALGRAVE MACMILLAN, 2022$$z3030924610$$w(OCoLC)1283948011
001445074 830_0 $$aPop music, culture and identity.
001445074 852__ $$bebk
001445074 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-92462-1$$zOnline Access$$91397441.1
001445074 909CO $$ooai:library.usi.edu:1445074$$pGLOBAL_SET
001445074 980__ $$aBIB
001445074 980__ $$aEBOOK
001445074 982__ $$aEbook
001445074 983__ $$aOnline
001445074 994__ $$a92$$bISE