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001445296 001__ 1445296
001445296 003__ OCoLC
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001445296 019__ $$a1303555108$$a1303674193
001445296 020__ $$a9783030919047$$q(electronic bk.)
001445296 020__ $$a3030919048$$q(electronic bk.)
001445296 020__ $$z9783030919030
001445296 020__ $$z303091903X
001445296 0247_ $$a10.1007/978-3-030-91904-7$$2doi
001445296 035__ $$aSP(OCoLC)1304836819
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001445296 049__ $$aISEA
001445296 050_4 $$aPN56.B62
001445296 08204 $$a809/.933561$$223
001445296 24504 $$aThe wounded body :$$bmemory, language and the self from Petrarch to Shakespeare /$$cFabrizio Bondi, Massimo Stella, Andrea Torre, editors.
001445296 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2022.
001445296 300__ $$a1 online resource (1 volume) :$$billustrations (color).
001445296 336__ $$atext$$btxt$$2rdacontent
001445296 337__ $$acomputer$$bc$$2rdamedia
001445296 338__ $$aonline resource$$bcr$$2rdacarrier
001445296 500__ $$aIncludes index.
001445296 5050_ $$a1. Preface (Fabrizio Bondi, Massimo Stella, Andrea Torre) -- 2. The Wounded Poet. On the Twenty-First Series of Deleuzes Logic of Sense (Rocco Ronchi) -- 3. The Scars and the Tale, the Wounds and the Drama (Anna Beltrametti) -- 4. The aperto segno and the colpo ascoso. The Love Wound in Cavalcanti and Dante (Gabriele Frasca) -- 5. Through the Wound, and What Petrarch Found There (Andrea Torre) -- 6. Untimely wounds in Shakespeares Macbeth (Iolanda Plescia) -- 7. An Anatomy of the Destructiveness of Knights. Wound Imagery and the Culture of Physical Force in Langue doil Heroic Narrative (Alvaro Barbieri) -- 8. Adventure and the Wound: History of a Paradoxical Relationship (Manuel Muhlbacher) -- 9. The Wounded Body in Boiardos Innamorato and Ariostos Orlando Furioso (Sabrina Stroppa) -- 10. The Bleeding Scar. Towards a Reading of Gerusalemme liberata as the Poem of Belatedness (Giancarlo Alfano) -- 11. The Meta-Physical Wound: Shakespeares Roman Plays (Massimo Stella) -- 12. Chacun de nous tient sa blessure ouverte, si che tal piaga il mondo unqua risalde. The Wound in Womens Poetry (that of Cixous and Colonna among others) (Tatiana Crivelli) -- 13. A masochistic Prometheus: the Wound in Tassos Lyric Poetry (Fabrizio Bondi) -- 14. And of what force your wounding graces are. Importing and Augmenting the Wound from Italy to Elizabethan England (Selene Scarsi) -- 15. Amoretta and Lucrece: Wounded Identities (Luca Manini) -- 16.Risguarda quella piaga. Stigmata and the Education of the Gaze in Early Modern Franciscan Iconography (Giuseppe Capriotti) -- 17. What Are These Wounds? Stigmata and/as Memory in Italian Religious Literature (Andrea Torre).
001445296 506__ $$aAccess limited to authorized users.
001445296 520__ $$aThis edited collection explores the image of the wound as a cultural symptom and a literary-visual trope at the core of representations of a new concept of selfhood in Early Modern Italian and English cultures, as expressed in the two complementary poles of poetry and theatre. The semantic field of the wounded body concerns both the image of the wound as a traumatic event, which leaves a mark on someones body and soul (and prompts one to investigate its causes and potential solutions), and the motif of the scar, which draws attention to the fact that time has passed and urges those who look at it to engage in an introspective and analytical process. By studying and describing the transmission of this metaphoric paradigm through the literary tradition, the contributors show how the image of the bodily woundfrom Petrarchs representation of the Self to the overt crisis that affects the heroes and the poetic worlds created by Ariosto and Tasso, Spenser and Shakespearecould respond to the emergence of Modernity as a new cultural feature.. Fabrizio Bondi is Fellow of Italian Literature at Scuola Normale Superiore of Pisa, Italy. Massimo Stella is Lecturer in Comparative Literatures and Theory of Literature at the Ca Foscari University of Venice, Italy. Andrea Torre is Associate Professor of Italian Literature at Scuola Normale Superiore of Pisa, Italy.
001445296 588__ $$aDescription based on print version record.
001445296 650_0 $$aEnglish literature$$xHistory and criticism.
001445296 650_0 $$aItalian literature$$xHistory and criticism.
001445296 650_0 $$aHuman body in literature.
001445296 650_0 $$aWounds and injuries in literature.
001445296 650_0 $$aMemory in literature.
001445296 650_6 $$aLittérature anglaise$$xHistoire et critique.
001445296 650_6 $$aLittérature italienne$$xHistoire et critique.
001445296 650_6 $$aCorps humain dans la littérature.
001445296 650_6 $$aLésions et blessures dans la littérature.
001445296 650_6 $$aMémoire dans la littérature.
001445296 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001445296 655_0 $$aElectronic books.
001445296 7001_ $$aBondi, Fabrizio,$$eeditor.$$1https://isni.org/isni/0000000035799351
001445296 7001_ $$aStella, Massimo,$$eeditor.$$1https://isni.org/isni/0000000110413042
001445296 7001_ $$aTorre, Andrea,$$eeditor.$$1https://isni.org/isni/000000004771241X
001445296 77608 $$iPrint version:$$tWounded body.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783030919030$$w(OCoLC)1295160833
001445296 852__ $$bebk
001445296 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-91904-7$$zOnline Access$$91397441.1
001445296 909CO $$ooai:library.usi.edu:1445296$$pGLOBAL_SET
001445296 980__ $$aBIB
001445296 980__ $$aEBOOK
001445296 982__ $$aEbook
001445296 983__ $$aOnline
001445296 994__ $$a92$$bISE